
Hypercolourcard
Martin Russ delivers another bulletin from another Mac music world. Hypercolourcard!
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Martin Russ delivers another bulletin from another Mac music world. Hypercolourcard!
The monotimbral K-Station offered keyboard players an affordable Novation -- but now, for a bit more money, the company have released the KS4 and KS5, which add plenty of new features, better keyboards and multitimbrality. The perfect marriage at the perfect price? We find out.
Conventional wisdom states that you can't 'fix it in the mix', but that doesn't mean you cant' try! Paul White discusses a few practical salvage techniques in the first part of this short series.
Although FM synthesis has its roots in the sixties, the instruments that popularised it were to dominate the synth scene of the eighties. Gordon Reid uncovers the origins of FM and charts its rise to fame from its unlikely beginings in academic research in the USA.
When it comes to MIDI files on the 'net you have two options: either trawl through the myriad of illegal pirate sites or deal with a professional. Paul Farrer separates the pros from the cons.
Since its first release three years ago, Nuendo has raised a great deal of interest among those who need a professional audio production tool, and with Nuendo 2, Steinberg have developed one of most ambitious native-based audio systems yet seen. But in an industry dominated by Digidesign, will it be enough to lure potential users away from their Pro Tools rigs?
Pin-matrix synths, like EMS's legendary VCS3 and Synthi A(KS), are fairly scarce these days, but Analogue Solutions' Vostok revisits the concept in a more affordable form. Is it a vintage-inspired classic, or is it just history?
The Microwave synths are complex beasts, so here are some hands-on tips to help you get the creative results you're after, without spending all your time programming.
A few years ago, dedicated drum machines seemed in danger of extinction — but now they seem to be undergoing something of a renaissance. Derek Johnson gets hands-on with the latest addition to Boss's Dr. Rhythm range.
Emagic's virtual sampler provides Logic Audio users with a practical alternative to hardware-based sampling. Paul White puts it to the test.
Internet audio is going places — and nowhere faster than for the net-surfing Mac user. Martin Russ looks at the latest developments.
After a spell away from project studio consoles, Allen & Heath return with a magical new contender. Martin Walker conjures up some thoughts on the WZ20:8:2.
Stephen Bennett chucks his trusty 8-track tape setup in favour of one of the new hard disk multitrack systems — but not before doing some thorough research. Here he reveals the factors that influenced his decision...
Spinets, Hammonds, massed choirs? Nope. Derek Johnson takes a trip with a module that does just what it says on the tin.
In this final part of our series looking at the alternative systems available for recording and mixing, Paul White outlines his own system and the reasons for building it that way.
One-time lords of synth-pop, OMD have had a chequered 18-year history, but frontman Andy McCluskey genuinely believes their 10th and latest album ranks among the band's best work. Nigel Humberstone talks to McCluskey and producer Matthew Vaughan about the making of Universal.
Sixteen-part multitimbrality, 32-note polyphony and a respectable set of GM-mapped Tones join some usable and fun auto-accompaniment, and an absurdly low price tag, in a 'home' keyboard that deserves some attention from the studio musician. Julian Colbeck just wants to have fun...
He's an accomplished producer, remixer, writer, programmer, guitarist, bassist and keyboard player — is there no end to Danny Saber's abilities? Richard Buskin talks to him about his blending of pop, rock, hip-hop and trip-hop sensibilities, as well as the commercially unorthodox results that have placed him in international demand.
If you're tempted to try out the whole Spectrum of bass sounds, Peavey have updated and old favourite, and Nick Rowland has the lowdown...
For their latest software instrument, Arturia have taken on the tough job of modelling a modular synth — and it's the granddaddy of them all, a Moog modular... Switched-on software or spaghetti junction? We find out.