SOUND ON SOUND
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Though now discontinued, the K1 and its modular cousins enjoy continuing popularity on the second hand market. Setting this synth up for multitimbral sequencer use is straightforward — when you know how.
Paul White answers some of the most common questions we receive about soundproofing and acoustic treatment for the home studio.
After more than 20 years making uncompromising industrial records, pioneering German band Einstürzende Neubauten escaped a creative and financial crisis through an Internet project which allowed their fans to influence the recording of their latest album.
Producer and engineer John Leckie is renowned for his work with English pop legends such as John Lennon, The Stone Roses and Radiohead. Recently, however, he left behind the comforts of Abbey Road to record one of Africa's best-known singers on location in Senegal.
Years after releasing their successful OB series of digital drawbar organs under the Oberheim brand, Viscount have updated their take on organ modelling with the new DB series. But the march of progress seems to have executed an abrupt about-turn...
FireWire audio and MIDI interfaces are gaining in popularity, as are fader surfaces designed for hands-on control of computer recording packages. Now Digidesign have combined the two.
Yamaha's former sampling flagship, the A3000, represented a novel but very powerful approach to sampler design. The new A4000 and A5000, as Derek Johnson & Debbie Poyser report, maintain the distinctive design ethos, but should provide even stronger competition to the established names.
The latest MIDI and percussion combination from Akai is the first not to feature Roger Linn's signature, although it clearly takes its inspiration from those that do. But Paul Wiffen discovers that, although this unit adds a feature he's been waiting 10 years for, it's missing the high price tag of its predecessors.
Although the Ion is already well-respected for its sound quality, its synthesis architecture is also surprisingly flexible. We show you how to get the best from this little beast in your studio.
Roland's SC88 could be described as a Rolls-Royce in the world of General MIDI sound modules. So is the new upgraded SC88 Pro a luxurious stretch limo complete with mini-bar and luxuriant walnut veneer? Derek Johnson dons his chauffeur's cap and takes it for a drive...
Paul D. Lehrman took six players, four samplers and a computer, and created a live-performance piece based on the music and words of Frank Zappa. It left the audience delighted — and utterly confused.
Jeff Wayne's classic musical adaptation of H.G Wells' novel The War Of The Worlds was a technical tour de force and an enduring commercial success. 27 years after its release, it has undergone a complete rework for 5.1 surround using Pro Tools.
Most modern musicians use samples, even if only in Sample & Synthesis-based keyboards or virtual instruments. But sampling itself has become something of a lost art. In the first part of a short series on rediscovering this skill, we look back at how the technique and the technology developed.
PETER SIEDLACZEK'S ADVANCED ORCHESTRA
(FIVE CD‑ROM SET)
There are some sample CD releases...
Having learned last month how to synthesize tuned bells, we turn this time, in the last of this series on the subject of percussion, to untuned bells — in the form of the humble cowbell — and claves.
Recent years have seen a revival in back-to-basics recording techniques, but few engineers or producers have taken things as far as Jim Sutherland did with Edinburgh folk-pop band Aberfeldy...
After releasing their Remote 25 MIDI controller keyboard, Novation released the Remote Audio 25, rapidly following it with the Remote Audio 25 Xtreme. Now, the X-Station has replaced both of these. Can we disentangle it from its convoluted beginnings?
Karl Jenkins' music mixes ethnic and classical influences with rock's production techniques; his unclassifiable first album sold a million copies. The latest master crossover tells Paul Tingen why he doesn't care about categories.
After all the political talk in recent years about a return to traditional values, Paul Wiffen kicks off a major new series on synth programming by arguing the Analogue Fundamentalist Party case — that an understanding of the basic elements of traditional analogue synths is essential to fully exploit the various types of synthesis available today.