SOUND ON SOUND
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Novation’s updated Launchkey range introduces improved creative features and better DAW integration.
One of the most influential plug‑ins of our time receives an impressive makeover.
With polyphonic aftertouch, MPE and MIDI 2.0, Korg’s Keystage has a lot to offer.
RipX Backstage relies on the same technology that powers Hit’n’Mix's desktop-based DAW, but allows users to interact with a virtual studio with no additional hardware required.
Divisimate 2 brings a host of improvements and new features to Nextmidi’s orchestration software.
In this Case Study, we look at two very different users who have adapted to the immersive audio ecosystem within the Antelope Galaxy interface line‑up.
V‑Rack packs the Rhodes MK8 preamp and effects section into a plug‑in.
The CP‑1X is a multiband compressor designed to avoid the obvious pumping and tonal change effects of conventional compressors.
Focal’s new Utopia Main series see the company take a step into the field of large-format monitoring systems designed for the most demanding audio professionals.
The new MkII editions of beyerdynamic’s flagship headphones are outwardly identical to the previous versions. Internally, however, it’s a very different story!
All things considered, Music Thing Modular founder Tom Whitwell can be considered part of the vanguard of Eurorack DIY as it stands today.
Polyend’s hardware tracker continues to evolve and improve.
Warm Audio pay tribute to two different revisions of the classic FET compressor, and throw in some helpful modern features to boot.
Thirteen is unlucky for some, but not for Reason users, who gain a new synth, a particularly nice delay and all sorts of other improvements to boot!
We put Studio One’s new clip launcher through its paces.
To mark the company’s 100th anniversary, Shure have teamed up with Black Lion Audio and Korneff Audio to reissue the infamous ‘secret weapon’ that powers many of Tchad Blake’s greatest recordings.
JMC’s Cyberdrive is one of those plug‑ins that’s designed to break your audio in interesting and creative ways.
Canadian producer / engineer Garth ‘GGGarth’ Richardson has worked with some of music’s biggest acts, and from his vast discography he discusses how he created an iconic bass tone.
In celebration of the 40th anniversary of the groundbreaking E-mu Systems Emulator II sampler, Dave Rossum, Kevin Monahan and Paul Wiffen share inside stories of the development and manufacture of the instrument.
In-ear Monitors (IEMs) have transformed the on‑stage experience for many performers, but they aren’t always ideal for bass players. Could a new hybrid design be the answer?