SOUND ON SOUND
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When The Beatles' record company tempted their producer out of retirement for one last project, no-one had any idea how radical the resulting album would be.
A successful DJ-turned-remixer/producer, Justin Robertson has also found fortune with collaborator Roger Lyons as Lionrock. Now the Sherlock Holmes-obsessed duo have relocated to their own studio, Moriarty's Cavern, and have a new side project, Gentleman Thief. Tom Flint gets an elementary education...
Nigel Humberstone gets a rare glimpse inside Mute Records' in-house studio, talks to Mute band Nitzer Ebb and Renegade Soundwave, and interviews the label's elusive and influential founder, Daniel Miller.
From unlikely beginnings as a naval SONAR operator with no musical training, Bill Szymczyk became a legendary producer and engineer whose work with The Eagles would define the hi-fi sound of '70s rock.
These acoustic panels not only offer sonic improvements over simple acoustic-foam treatments, but are also very easy to install.
In 1996, the Fugees came like a breath of fresh air into a world of hip-hop that was becoming stale around the edges. Now Wyclef Jean is a star in his own right, and has deployed his production talents for artists ranging from urban legends like Funkmaster Flex and Cypress Hill to Whitney Houston, Michael Jackson and even Tom Jones.
Toyah's first pop album for several years, Leap, was recorded not in an expensive commercial studio, but in the type of home recording environment with which many SOS readers will be intimately familiar, as Paul White discovers.
Within just a few years, the Mackie brand has come from almost nowhere to a prominent position in the project studio mixer market. Now the company are looking to the future and deciding where they can next apply the Mackie philosophy. Paul White takes a busman's holiday to Seattle and looks behind the scenes in R&D.
Still looking for the best mic/preamp money can buy? Hugh Robjohns unearths some real gems from the USA.
It's been hard to turn on a radio or go to a club this summer without hearing Moloko's distinctive retro disco hit. Bill Bruce meets the Sheffield duo to find out how it was put together.
SOS pay a visit to more avid readers to investigate their home/project studio.
The partnership between Blondie and producer Mike Chapman created a perfect pop record - and catapulted the group from the underground to mainstream chart success.
One of the most influential jazz keyboardists ever, Herbie Hancock is renowned for his innovative use of electronics and new production techniques.
Christina Aguilera's debut single was a worldwide smash hit last year, thanks in no small measure to the distinctive work of producer and co‑writer David Frank. Mike Senior finds out how he did it.
In his time, Ron Berry has been a synth-player and a freelance designer — but it's as an electronics hobbyist that he cut his teeth. Jonathan Miller meets the man who keeps the DIY ethic alive.
Morcheeba make their weird and wonderful music in a studio in Clapham that used to belong to The Orb. To find out more about the band and their gear, Sue Sillitoe ventured south of the river to meet Paul Godfrey and the band's programmer and producer Pete Norris.
Jamiroquai's recent album Synkronized was the first to be recorded in front man Jay Kay's impressive private studio. One of his album's high points, and a hit single, was 'Supersonic'. Bill Bruce talks to its producer Al Stone about how the track was recorded.
Eliot Kennedy has carved out a highly successful career for himself as a hi-tech producer and songwriter for a wave of groups at the 'teen sensation' end of the pop market, all without leaving Sheffield. Nigel Humberstone finds out how he did it.
Butch Vig came to fame for his work on the seminal Nirvana album Nevermind, going on to make a name for himself in post-punk indie production. Now he's hit the big time as both artist and producer, as part of internationally-successful band Garbage. Richard Buskin caught up with him to talk about roots, reincarnation, and rubbish...
In pop music, production partnerships are pretty rare — especially ones as successful and long-standing as that between Clive Langer and Alan Winstanley.