
Compression Made Easy
Getting precisely the results you want from compressors can often be the key to a tight, modern-sounding mix. We explain what the controls are designed to achieve and how they relate to what you hear.
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Getting precisely the results you want from compressors can often be the key to a tight, modern-sounding mix. We explain what the controls are designed to achieve and how they relate to what you hear.

Since emerging from the Liverpool music scene at the turn of the '80s, Ian Broudie has juggled parallel careers as an artist and a producer. He has a new solo disc in the shops, and with albums by the Coral and the Zutons riding high in the charts, his production services are in greater demand than ever.

SOS reader TJ Stone asks whether the mountains of sophisticated equipment available to successful musicians and producers really help to make better recordings.

Phil Collins began recreating the classic Motown sound as a form of therapy. With the help of engineer Yvan Bing, the results gave Collins his first number one album in 17 years.

There’s no more revered name in the history of synthesis than Moog, and the Voyager XL aims to cement their reputation for top‑flight instruments. Is this the Rolls Royce of the synthesizer world?

A German artist’s unique instrument designs forge a new sound world.

This mic aims to bring us the sound of a vintage Telefunken — which is a brave choice, since Telefunken are reissuing it themselves! How close have Peluso come to getting it right?


In their eagerly-awaited new flagship synth, Roland have harked back to the sampling technology of their respected S-series samplers, as well as adding some contemporary touches to equip it for the 21st century. Gordon Reid assesses past, present and future.

More constructive comments from MPG (Music Producers Guild) members on SOS readers' submitted recordings.

Did you spot the rather unlikely recording setup in a recent sci-fi blockbuster? Paul Farrer did...

Just when you think you've seen it all, Yamaha come straight at you out of left field with an instrument unlike any other. But is the Tenori-On a musical revolution in the making or a white (flashing) elephant?

Producer and songwriter Fraser T Smith has made the unlikely journey from prog rock to grime. With Tinchy Stryder, his broad experience has paid off in the shape of three massive hit singles.

It's easy enough to make a guitar and amp sound loud and gutsy in the live room, but how do you capture the same sense of volume and distortion on your recording? Phase alignment, that's how...

Your much-loved elderly PCI soundcard may be working perfectly, but might still have to go on the scrapheap if you upgrade your PC. Why? It's all down to the PCI specification and the location of your notches...

Last month, we recounted our experiences of tracking a jazz big band on location. Now we explain what it takes to turn the raw multitracks into a nicely polished production.

We go off-beat this month, pitting our mixing skills against a reggae track.

After years of rumours and myth, the fruits of the Beatles' reunion for small screen and recording projects can now be experienced by mere mortals. For the past 18 months, Mark Cunningham has been keeping his ear to the ground, and can now reveal the fascinating details surrounding the Fab Four's Second Coming'...

The long-awaited version 3 of the GRM Tools suite introduces three new plug-ins, the likes of which have not been seen or heard before!