SOUND ON SOUND
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This month, we take on some computer glitching problems and fix up the acoustics in a newly completed loft conversion.
Atari's high flyer had top billing as the first ever personal multimedia system. Andrew Wright enters stage left to look at the claim.
Distortion, filth, grime and grit abound in EastWests new library. Rubber gloves at the ready, we go in search of splendour in the dirt.
Does this take on delay-pedal history merit a place in your pedalboard’s future?
Dave Shapton gets to grips with the latest news about BeOS, and its possible implications for musicians.
If anyone knows about digital consoles, it’s Yamaha — and their latest range of mixers doesn’t disappoint.
With interface standards and user requirements changing all the time, the audio interface marketplace is a volatile one. We catch up with representatives of eight leading manufacturers for the inside track on the future of audio I/O hardware.
The world is simply teeming with audio interfaces these days, so what does M‑Audio's latest offering, the Fast Track Ultra, have that the others don't?
Paul D. Lehrman discovers things he never knew about his recordings...
Mackie's Blackjack is the smallest interface yet to feature their acclaimed Onyx mic preamps.
Instant Orchestra aims to take the pain out of creating orchestral parts — but can such an affordable library still produce the goods?
Martin Walker grumbles about long-winded install routines, and guides you through a few ways to check your system files and Registry for problems.
Paul White revisits his old analogue synthesis days via Bitheadz's Retro AS1 — but can a computer screen ever be as friendly as all those knobs and faders?
US software and hardware innovators Opcode have come far since their first MIDI-only sequencer in the late '80s; the latest descendent of that program, Vision DSP, incorporates 24-bit audio recording and compatibility with VST plug-ins. Bob Dormon focuses on the new features in this latest Vision...
The market for tablet-controlled mixers is heating up. Has QSC’s new range got what it takes to fend off the competition?
Paul White looks at how to customise Multi Instruments for a faster and more creative sequencing experience.
Born-again Vision user Mike Collins runs down the new features in the latest version of Opcode's pro Mac sequencing package, and reveals why he now believes it's the standard to beat...
When your studio just won't co-operate and there's no-one to turn to, the pool of knowledge and expertise offered by fellow web users can be a life saver. Chris Carter investigates troubleshooting on the open-all-hours Internet.
As musicians rely on computers more and more, we look at an innovative system that isn't so much a studio in a box as a studio in your pocket.