
Mixing Programmed & Real Instruments Successfully
You might be a virtuoso instrumentalist and a dab hand at programming, but can you get the two skills to work together? Sam Inglis offers some tips.
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You might be a virtuoso instrumentalist and a dab hand at programming, but can you get the two skills to work together? Sam Inglis offers some tips.
Among his many credits as an engineer, producer, programmer and artist, Jon Astley is perhaps best known for his award-winning work remastering classic albums from the likes of The Who, Abba and George Harrison.
If something's letting down your pop tracks, it could be the arrangement rather than the song itself at fault. Derek Johnson & Debbie Poyser offer some advice on how to make sure your music gets the star treatment it deserves.
A heavy-duty valve preamp with variable input impedance, a unique slew-rate control, and a sublime sound.
Teenager Dylan Mills (aka Dizzee Rascal) captured the headlines in 2003 by winning the UK's Mercury Music Prize with one of the most uncompromising albums of recent times. Dizzee and engineer/manager Cage describe how they made Boy In Da Corner.
Analogue warmth seems to be the Holy Grail in these digital days. But what is it, why does it hold such appeal, and how can you use it to enhance your recordings?
Are computers changing the way we make music? If you're David Gledhill, the answer is an unequivocal 'yes'. Years of playing with guitar bands had left him disillusioned and on the point of giving up when he decided to experiment with recording on a PC...
How do you capture the essence of pure rock & roll? For Mike Fraser and AC/DC, the answer was simple: get the sound right at source, track to analogue tape, and don't mess about with the results!
James Asher made the transition from library music to successful commercial releases by tapping into an underlying demand for world-flavoured, rhythmic new age music. Martin Walker takes a world view...
Some engineers earn a reputation for classic recording techniques and live bands, while others help to create the cutting-edge sounds of modern rap and R&B. From Foreigner and the Rolling Stones to Timbaland and Missy Elliot, Jimmy Douglass has done both.
We visit another SOS reader's studio set-up. This month, it's located in a Portakabin in Bedford, UK.
With the death of producer Sam Phillips, the music industry has lost one of its greatest pioneers. In an interview given towards the end of his life, he looked back on his work with greats like Elvis Presley, Howlin' Wolf, Jerry Lee Lewis, Carl Perkins, Roy Orbison and Johnny Cash, most of whom were unknowns before they signed to his Sun Records label.
Pioneering electro-pop duo Soft Cell are back with a new album, seeking to combine the best of old and new production techniques.
Les Paul made some of the most innovative records of the 20th Century, but he had to invent multitrack tape recording first...
It's hard enough to reach the top in any field, be it engineering, production, programming or playing an instrument, but Michael Bradford has excelled in all of these departments - and often while travelling across America at 80 miles per hour! Richard Buskin meets a man who's helped to create massive hit albums for Kid Rock and the New Radicals.
1973's 'The Most Beautiful Girl In The World' was one of the defining moments of the Nashville sound, and was the product of a finely-honed studio recording process.