SOUND ON SOUND
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Have Fostex really stolen Roland's thunder with their digital multitrack? Mystic Paul White thinks Roland might have a trick up their sleeve.
The latest and largest addition to Roland's XP family is a strapping workstation with a monster sequencer and masses of programming muscle. Paul Nagle puts it through a complete workout...
Roland once stated that they would never bring out a follow-up to their now terminally trendy TB303 Bassline. However, the success of other manufacturers' TB clones and the inflated price of the original have made them think again. Derek Johnson and Debbie Poyser are proud to present the UK's first in-depth review of the new MC303.
Beethoven's amanuensis it might not be, but for dancey doodlings, you won't find a better scratchpad than the Roland MSQ700 'multitrack digital keyboard recorder'. Steve Howell reassesses the sequencer that dared not speak its name...
Paul White goes beyond the final frontier with Roland's latest 3D sound processor.
Derek Johnson and Debbie Poyser examine the rise and rise of Roland's most sought-after beatbox, the TR909.
Hot on the heels of Fostex's DMT8 Roland's new VS880 offers another take on the affordable digital multitracker concept. But as Paul White discovers, beneath the apparent similarities lie significant differences...
Paul White bolts Roland's new range of synth expander modules into his rack, seats himself in the comfy chair, then switches it on.
Roland's latest attempt to part you from your savings boasts no less than 1700 patches, a well-specified sequencer, comprehensive effects section and expandability via Roland's popular wave expansion boards. Julian Colebeck takes it for a spin.
At a time when a modular synth could cost as much as an average house, Roland's System 100M was an affordable dream. Chris Carter gets patched in...
Paul White packs away the keyboard and plugs Roland's new guitar-MIDI interface into his sequencer.
The JS30 forsakes the familiar rackmount sampler format for desktop presentation, and aims for simplicity and immediacy of operation. Derek Johnson checks it out.
Almost overlooked in the rush of people desperate to get their hands on a Roland TB303, the MC202 is just beginning to find favour with the all-analogue dance crowd. Tom Carpenter explains why he's never forgotten the diminutive MicroComposer.
Paul Ward looks back through time to 1980, and considers the hidden strengths of one of Roland's more overlooked monosynths: the SH09.
Roland's latest synth module boasts an impressive spec, including a 32-bit RISC processor, 64-voice polyphony and the ability to hoast up to four expansion cards simultaneously. Could it be the only synth you'll need? Dave Crombie finds out.
Derek Johnson checks out the new flagship of the Sound Canvas range.
The S760 sampler represented excellent value for money on its release back in February this year. Now it looks even more impressive, with the arrival of the OP760/1 expansion board and the v.2.12 system software. Paul Wiffen checks them out.
Everyone is looking for that elusive extra dimension to their mix, and Roland's latest unit claims to deliver it right out of the box. Dave Lockwood assesses dimensional expansion for himself.
Derek Johnson takes a look at a new addition to the still-growing Sound Canvas family.
The JX10 was Roland's 'final analogue statement' before the advent of their ground-breaking D50. Derek Johnson reveals the good, the bad and the ugly aspects of this supersynth, now available on the secondhand market for less than a third of its original asking price.