
Roland P-6
The Roland P‑6 is a pocket‑sized sampling powerhouse.
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The Roland P‑6 is a pocket‑sized sampling powerhouse.

Roland’s SH‑4d is an ambitious amalgam of synth and sequencer in a battery‑powered box.

The Fantom‑0 squeezes the soul of its flagship big brother into a compact and affordable package.

Is the Zen‑powered X the best Juno Roland have ever made?

The Jupiter name comes loaded with expectation. Can Roland hit their own high standards?

Emerging from the mists of time comes the rejuvenated Fantom, Roland's new flagship workstation synthesizer. Available in three models: Fantom 6 (61 keys), Fantom 7 (76 keys) and the 88-key Fantom 8.

The Roland name is almost synonymous with music technology — there can't be an SOS reader who hasn't made use of their instruments at some time. We take a journey through the company's extraordinary history.

Roland’s latest Aira instrument is set to become a classic in its own right.

The System 8 may offer ‘plug-out’ recreations of Roland classics, but it’s also a versatile synthesizer with a character all of its own.

With a large, well–equipped control panel and a gratuitously laden effects rack, the JDXA could be Roland’s most ambitious, hands–on synthesizer in many years.

Roland’s JDXi crams an awful lot of synth into a very small box.

The System 1 is a fully fledged synthesizer in its own right, but it can also assume the identity of Roland classics using its built–in ‘plug–out’ technology.

The Integra 7 might at first glance seem to be a Jupiter in rack form, but it turns out there’s more to it than that — much, much more...

Roland’s popular SPDS sampling drum pad gains an ‘X’, and a whole lot more besides, in the SPDSX.

Roland's Fantom workstation reaches its fourth generation with the 'G' series. So just how great is the Fantom family's great-grandchild?

Roland's HD1 system incorporates their V-Drum technology into a drum kit that's more compact, less noisy and much more affordable.

As Roland revisit the Juno name once again, we look at whether their latest offering is a serious contender, or merely a bantamweight Fantom.

This new card narrows the gap between Roland's VS-series machines and computer recording systems by allowing the use of third-party plug-ins within the multitracker environment. We test the card, its bundled plug-ins, and the first of the brand-name offerings from Universal Audio.

Giving a modern instrument the same name as a line of vintage analogues that have an assured place in the synth hall of fame invites comparisons. So is the Juno-D the rightful heir to the Juno throne or more of a young pretender?

Roland's original Fantom workstation wasn't really much competition for Korg's Triton, so it was no shock to see it revamped last year as the hugely improved Fantom S. But surprisingly, Roland have done it again. What's new this time around?