SOUND ON SOUND
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LA Audio have taken the best bits from their mic preamps, compressors and equalisers to create a dedicated, single channel mic/line processor. Paul White patches it in.
Paul White checks out a signal processor with no knobs, no buttons and no display, designed to add valve warmth to 8-track recording.
M-Audio's debut synth may have a pristine white exterior, but it hides a sample-based synthesis engine capable of getting down and dirty...
Does the world need another budget parametric equalizer? Paul White discovers that it never had that many in the first place.
Paul White checks out the latest addition to TL Audio's new Indigo range.
Part preamp, part summing mixer, all tube: can the Fat Track provide all the 'analogue warmth' your studio needs?
M-Audio have applied the same economies of scale to this digital piano that they have to their controller keyboards, with the result that the Prokeys 88 retails for well under £500, with the cut-down Prokeys 88SX costing far less.
How does Audio Technica's AT4050 multi-pattern studio mic compare with their hugely popular AT4033 cardioid mic?
Always ready for some off-road action, Paul White scrambles for his XLR adaptors and test drives LA Audio's latest incarnation of the 4x4.
Another product from New Zealand's Buzz Audio gives you two channels of Class-A preamplification with switchable input impedance.
This desktop DSP box runs and offers hands-on control of Creamwares ASB range of synth plug-ins — and it costs under $500. Is it too good to be true?
Two classic designs — the 610 preamp and LA2A compressor — are combined for the first time in this attractive new reissue.
The simple idea of providing high-quality stereo I/O with well-written drivers helped M-Audio sell bucketloads of their original Audiophile soundcard. Its successor ups the ante in every respect, providing better sound quality, balanced I/O, dedicated monitor outputs and 192kHz support.
TL Audio's heavyweight valve recording channel not only provides you with gating, de-essing, compression, equalisation and limiting, but also lets you experiment with the sounds of different types of circuitry.
Despite its vintage design credentials, this new recording channel has some interesting new tricks up its sleeve.
Paul White lends an ear to TLA's latest parametric EQ, the 5013, an attractively-priced valve/solid state design that keeps up the tradition of delivering quality without the cost.
Although all-valve mixers can really warm up sounds prior to digital recording, they're usually too large and expensive for the project studio. However, TL Audio's hybrid M3 now brings valve mixing within the reach of the home musician.
TL Audio's monster new tube voice channel gives you mic/ line/ instrument preamp, EQ, compression, limiting, and optional A-D conversion — twice over!
Already boasting some famous users, this new console has caused a bit of a stir. Does it live up to the Toft heritage?
This new mixer caters for those who found TL Audio's M3 too small, and the flagship VTC too big. But is the M4 just right?