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It's the dream of many an SOS reader to have a multimillion-selling worldwide hit with a track recorded in your bedroom — but as Crewe-based Dario G found out, it can create more problems than it solves. Matt Bell finds out how the group came through the turbulent waters of success to produce a fine debut album.
Is it a home organ-style keyboard? Is it a real synth? Is it a complete crock? Paul Ward explores the Korg Sigma, an instrument with a serious identity crisis...
This month Paul Wiffen takes up residence as SOS's Apple expert. After relating his own Mac history, he turns Agony Uncle and addresses a few readers' problems...
No, we haven't got that the wrong way around... it really is a CV-to-MIDI converter. But why would you want such a thing? Read on...
Will Mowat made his name first as a sequencer expert and then as a writer with Soul II Soul. As a world music producer, his recent projects provide inspirational examples of how to combine performance with programming and overcome the limitations of a bare-bones budget.
What can you do when you've reached the limits of technical innovation? According to Garbage, the answer is to go back to the basics of songwriting.
How much treble is too much? As this month's Mix Rescue discovers, it's easy to overdo things at the recording stage, but not quite so easy to correct them at the mix.
Working from a small studio in Quebec, Canada, Pierre Marchand has been responsible for some stunning production work, most notably with songsmith Sarah McLachlan. Paul Tingen finds out how he successfully mixes a technological approach with live performances to create his organic intimate sound.
Every pitched sound can be thought of as a collection of individual sine waves at frequencies related to the fundamental. Gordon Reid introduces a powerful method of synthesis that works by manipulating these individual harmonics.
The Nord Modular offered a classic blend of flexible software and well-designed hardware in 1998. But can the improved G2 keep up with the soft synths of 2004?
In Part 1 (of 2) last month, we finished with the question: 'What is the Quadra? Is it a turkey of the first order, or a misunderstood and overlooked masterpiece?' This month, we'll take a closer look at the instrument itself to find the answer.
From the same team that brought you Virtual Guitarist, Groove Agent has had an impressive upgrade, and is now claimed to work better under non-Steinberg hosts. We put it through a proper multi-platform test.
Jeff Wayne's classic musical adaptation of H.G Wells' novel The War Of The Worlds was a technical tour de force and an enduring commercial success. 27 years after its release, it has undergone a complete rework for 5.1 surround using Pro Tools.
From unlikely beginnings as a naval SONAR operator with no musical training, Bill Szymczyk became a legendary producer and engineer whose work with The Eagles would define the hi-fi sound of '70s rock.
In this month's column, we give you the low-down on the wealth of new features coming your way in the version 7.3 updates to Pro Tools TDM and LE.
With 'Heroes', David Bowie pulled off the rare feat of having a major hit with a highly experimental piece of art-rock, which featured among other highlights live synth treatments from Brian Eno, pitched feedback from guitarist Robert Fripp, and a lead vocal with level-triggered ambience.
So, you've made it from dogsbody to tea boy, through tape op and Assistant Engineer... In the last part of this series, David Mellor explains the roles and responsibilities of the recording engineer, and what you ought to do if you like to make engineering a life-long career.
Belgian company Lassence are seeking to gain recognition as a small modular synth manufacturer with their new patchable µVentury II system. But there's plenty of competition in the homegrown analogue market these days. Does the µVentury II have what it takes?
The JS30 forsakes the familiar rackmount sampler format for desktop presentation, and aims for simplicity and immediacy of operation. Derek Johnson checks it out.