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Unlike the vintage equipment it emulates, Rebirth is getting more sophisticated all the time. Derek Johnson & Debbie Poyser catch up with the latest version.
Mixer automation lets you create more dynamic mixes, but also provides a fast alternative to arranging all your tracks in the sequencer. We offer a simple guide to making the most of it.
French synth experts Arturia get their groove on with a hybrid software/hardware drum machine. Zut alors!
Part 1: The V-Synth repackaged Roland's groundbreaking Variphrase technology, creating a powerful new kind of sample-based synthesis. Now there's a rackmount V-Synth, and (as you'll discover in Part 1 of our two-part review) it's more powerful than the first...
A major upgrade of this PC program makes it appeal to amateurs and professionals alike — but also provides some exciting pointers to the future of desktop audio. Dennis Miller takes a quantum leap in the dark...
Paul Nagle looks at adding MIDI and sounds to your PC setup.
Paul White returns stirred but unshaken from the NAMM '94 exhibition with a brief overview of the products that most caught his attention.
Reverb and delay are vital tools for mixing. We explain how to get the best from Cubase's bundled plug-ins.
Spectrasonics new STEAM-driven bass module bundles 34GB of electric, acoustic and synth basses into one package. We delve deep and give you the lowdown.
Tascam break from the crowd with their new USB 2 multi-channel audio interface.
Algorithms that remove artifacts such as clicks, scratches and broadband noise from digital audio require as much processing power as possible. TC's new suite of restoration tools harnesses both the host computer's CPU and the DSP of their Powercore system.
Brian Heywood surveys the latest in software and hard disk recording developments shown at the APRS exhibition and reveals how you can go deeper into cyberspace with the Performing Arts Network...
Live 9 has been a long time coming, but, along with Ableton’s new Push controller, has the potential to revolutionise music-making.
Superficially, it may look no different from other soundcards, but Yamaha's new DSP Factory is a real TARDIS when it comes to facilities. Martin Walker explores a soundcard that's bigger on the inside than it is on the outside.
The Ionix FW810S comes with built-in Lexicon monitor reverb and onboard Dbx dynamics and EQ. So does all this DSP add up to a genuine USP?
We get hands-on with Korgs touchy-feely new synth.
The New Interfaces for Musical Expression (NIME) conference has been running for five years, and is a great place to see and discuss new ideas that may provide the musical controllers of the future. SOS was in Vancouver to learn more...
What do you get when you cross a recording musician with a photographer? A nice-looking studio that serves a dual purpose, thats what...
Yamaha's entry-level digital mixer gets an 02R96-style makeover, providing increased digital audio resolution, improved channel and effects processing, and surround functionality.