SOUND ON SOUND
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If you've ever fancied creating your own VST plug-in synths and effects, Outsim's slick development tool might just have made the process that bit easier for PC users.
Pro Tools is about to get Rocket Network compatibility, facilitating long-distance collaboration between Digi users. Also this month, we continue our series of inter-application transfer tutorials with a look at how to move Digital Performer tracks into Pro Tools.
With impressive improvements in power, speed and flexibility, Digidesign's software upgrade for their flagship digital audio production system keeps them ahead of the pack. Paul D. Lehrman wonders where the catch is...
Everybody, as Fatboy Slim so wisely notes, needs a 303. However, with originals becoming ever more scarce and expensive, the dream of universal 303 ownership was starting to look unlikely — until now...
Unlike the vintage equipment it emulates, Rebirth is getting more sophisticated all the time. Derek Johnson & Debbie Poyser catch up with the latest version.
Paul Sellars offers some advice on what musicians should look for when choosing Internet audio software, and introduces the best of the current slew of Windows applications.
We bring our series on rediscovering the the art of sampling to a close, with a look into the future.
Brian Heywood surveys the latest in software and hard disk recording developments shown at the APRS exhibition and reveals how you can go deeper into cyberspace with the Performing Arts Network...
Paul Nagle looks at adding MIDI and sounds to your PC setup.
A major upgrade of this PC program makes it appeal to amateurs and professionals alike — but also provides some exciting pointers to the future of desktop audio. Dennis Miller takes a quantum leap in the dark...
Ever wondered how to tame a large, lively room without drills, nails or glue? Or how best to mount monitors without speaker stands? Then read on to find out how we helped Simon Mayor and Hilary James.
Lexicon's latest hardware reverb is designed to be as easy to control from your computer as a plug-in.
The new Motif XS range is top of the pile when it comes to Yamaha synth workstation technology, and thus will be going head-to-head with flagship contenders from other big-name manufacturers. Does the XS have what it takes?
You're given a Logic project with a less than impressive drum recording, and you need to make it sparkle. Do you book another recording session, get down to some serious editing, or replace the whole lot with samples? Delay your decision until you've read this article...
Buss-powering USB and Firewire peripherals from a laptop seems like a good idea, cutting down on annoying power supplies and keeping everything portable — but it's not quite as straightforward as you might imagine.
Paul White returns stirred but unshaken from the NAMM '94 exhibition with a brief overview of the products that most caught his attention.
Mixer automation lets you create more dynamic mixes, but also provides a fast alternative to arranging all your tracks in the sequencer. We offer a simple guide to making the most of it.
Cubase 6 pushes the boundaries of expressive sequencing, while adding polish and new editing functionality to keep existing users happy. Is it all too good to be true?
Superficially, it may look no different from other soundcards, but Yamaha's new DSP Factory is a real TARDIS when it comes to facilities. Martin Walker explores a soundcard that's bigger on the inside than it is on the outside.