SOUND ON SOUND
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Yamaha's entry-level digital mixer gets an 02R96-style makeover, providing increased digital audio resolution, improved channel and effects processing, and surround functionality.
We get hands-on with Korgs touchy-feely new synth.
Niels Larsen, Steinberg's Sales and Marketing manager, lets you in on some crafty ways of using Cubase.
These portable digital recorders are tiny, convenient, and they look great... but are Yamaha's latest gizmos any good for musicians?
What do you get when you cross a recording musician with a photographer? A nice-looking studio that serves a dual purpose, thats what...
Carillon Audio Systems' range of specially designed music PCs has been one of the most ambitious product launches in recent years. But apart from their distinctive design, what do these computers offer that other PCs don't? Martin Walker finds out...
The DSP-FX is the world's first 32-bit floating point digital effects processing system with a visual interface. It also comes on a standard ISA card for installation in a desktop PC. Dominic Hawken plugs 'n' plays.
Simon Millward continues his fundamental guide to Steinberg's flagship MIDI recording software package.
The subject of clocking in digital audio systems is often a hazy area of understanding among us users, perhaps because we've been turned off by propellerheads who love arguing about it. Here's what you need to know in Pro Tools from a practical angle.
Top producer RedOne has had hits with dozens of artists, but relies on one man to “finish” tracks like Nicki Minaj’s ‘Starships’: engineer Trevor Muzzy.
This month we look at why MIDI interfaces aren't always to blame for your MIDI timing problems, and report on the latest news regarding Yamaha's Open Plug-in Technology.
Emagic have slicked up the popular Logic sequencer line with a few coats of metalic paint and some sparkly new features to match. Paul White goes Platinum with the top of the range.
Pro Tools has made a leap to 24-bit, but does the increased theoretical quality really translate to a better sound, and it is worth the extra money? Mike Collins finds out.
Is BIAS Peak the natural successor to the ageing Sound Designer II, or can the old dog still show it some tricks? Paul White finds out.
If you record music on a computer, you have a huge amount of irreplaceable data that needs to be backed up. However, traditional data protection strategies have been expensive or tedious to operate. The solution? RAID on...
Could this be the holy grail of studio acoustics — a room correction system that actually works?
We help singer-songwriter Jamie Knight make the most of his recording space, and advise on separation when recording multiple sources simultaneously.
Yamaha's new CD-ROM burner comes with the option of a cut-price copy of Toast 3.5, allowing you to create backups, burn CDs, and even make your own CD-ROMs. Paul White tries out the combination.
Another look at another reader's studio.
Roll out the red carpet, dim the lights and raise the curtains - it's showtime for this big jazzy production from Fable Sounds...