
Introduction To Cubase, Part 2: Recording; Key, Drum & List Editors
Simon Millward continues his fundamental guide to Steinberg's flagship MIDI recording software package.
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Simon Millward continues his fundamental guide to Steinberg's flagship MIDI recording software package.
Pro Tools has made a leap to 24-bit, but does the increased theoretical quality really translate to a better sound, and it is worth the extra money? Mike Collins finds out.
Roll out the red carpet, dim the lights and raise the curtains - it's showtime for this big jazzy production from Fable Sounds...
Euphonix's EuCon control protocol first saw the light of day in their high-end digital mixers. Now it has the potential to revolutionise the world of the project studio.
Another look at another reader's studio.
Yamaha's new CD-ROM burner comes with the option of a cut-price copy of Toast 3.5, allowing you to create backups, burn CDs, and even make your own CD-ROMs. Paul White tries out the combination.
If you never venture into Sonar's off-line DSP section, now could be the time to check it out, following Cakewalk's v5 revamp of these useful functions.
Clavia have directed all their keyboard-making know-how into a single, lightweight stage piano — so it ought to be good...
Have live-sound legends Midas brought their golden touch to bear on the hybrid analogue live/recording console?
Finding an affordable keyboard with a good weighted action and a healthy selection of sounds suitable for studio and live use isn't as easy as you might think. Could Yamaha's S08 be the Holy Grail?
A song named for Christmas-cancelling regicide Oliver Cromwell may seem like an unlikely hit, but the infectious ebullience of 'Oliver's Army' provided Elvis Costello with his biggest-selling single...
David Ashman felt that his mixes lacked energy and were sounding 'too digital', so the SOS team set off to his home in Bristol to sort out his monitoring system and mix processing.
Emu's range of soundcards offers an unprecedented level of flexibility, DSP power and sound quality for the price — with the added bonus of a very impressive software sampler.
Many musicians with computer-based studios don't need lots of inputs and outputs, but that doesn't mean they're happy to put up with poor audio quality and design compromises of consumer soundcards. However a new type of affordable, high-quality soundcard is now emerging to meet this need. Martin Walker puts two or the leading candidates to the test.
Confused by DirectSound driver options? Martin Walker explains them all, recaps on the Millennium bug and makes a packet with his CD-RW drive.
MIDI plug-ins are often overlooked, regarded perhaps as the poor relations of the more glamorous audio type, but they can give you real power-user status if you take the trouble to investigate their capabilities.
Novation have an elegant solution to the tedium of configuring hardware controllers — the Remote 25SL can read your sequencer and automatically map plug-in instrument parameters to its controls. Is this the first 'intelligent' hardware control surface? We find out...
Tascam's two new digital multitrackers are the latest in their long line of Portastudio products.
Edirol have pioneered USB 2.0 as a format for connecting audio interfaces, and their latest unit offers 10 inputs and 10 outputs, plus high resolution, at a price that compares well with Firewire alternatives.