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More news and ideas from the DP scene — as well as some good old-fashioned rumour-mongering...
Waldorf have emulated the original PPG Wave digital synthesizer in software for use as a VST Instrument. Paul White tries out the virtual Wave.
This new USB-equipped mixer has a control surface and a separate I/O unit, but are two boxes better than one?
TC Electronic keep the price of their newest audio interface low by cutting down the I/O count, but not the quality.
With an excellent audio specification and lots of inputs and outputs, Event's Layla looks an ideal candidate for many small computer-based recording studios. Martin Walker gets plugged in.
Has a broken iLok or a power cut brought your Pro Tools rig to a shuddering halt? All may not be lost...
In 2004 it looked like game over for Waldorf, but the German company are back, with a hardware synth that more than lives up to their former reputation...
Designed to integrate with Cubase, and featuring new preamps and compressors, Yamaha's N-series digital mixers have been causing quite a stir. Could the N12 be the centrepiece of your project studio?
At £1099, the Xa is the most affordable keyboard in the Fantom range. But, inevitably, features have been removed to make it such a bargain. Have Roland thrown out the works from the workstation?
The new C16 offers 16 MIDI-assignable control faders for the thoroughly reasonable price of £150. Derek Johnson and Debbie Poyser love that feeling of control...
Quality mic preamps, 24-bit/192kHz operation, timecode sync... Tascam's upwardly-mobile new recorder is going places.
How do you follow 10 years in The Prodigy, one of the most successful bands of the last decade? By recording a solo album in an outhouse adjoining a disused windmill, naturally. Matt Bell meets former Firestarter Leeroy Thornhill and his studio designer Joe Morena to discuss the making of a recording facility in a former double garage.
As Wise Buddah Music, Radio FM DJ Mark Goodier and his business partner Bill Padley are producing and editing programs for the BBC with little more than a Mac computer, a DAT machine, and some high-powered Digidesign editing software. Paul White talks to them about how they manage it.
In a market populated by 16-track and 24-track machines, Korg up the ante once again with the first project-studio multitracker to offer 32-track playback.
Many PC owners still seem to have trouble trying MIDI and audio together, and timing remains the main problem area. Martin Walker attempts to pull all the strands together.
As Boss introduce their tiniest ever portable studio, we discover just how much can be packed into such a small box...
Arturia's 'hybrid instrument' teams a custom keyboard with their massive synth patch library plug-in. Is this the way forward for hardware/software integration?
The Amiga has a lot of catching up to do if it is to outgrow its past as a games module. In Amiga Magic, however, Paul Overaa finds much to attract the musician.
Emagic's inexpensive analogue synth emulation for Logic Audio and Micrologic AV comes under scrutiny from Paul White.
Like many DAW manufacturers, Digidesign offer their own convolution plug-in as an add-on for Pro Tools. We explain how to get the best from TL Space.