Antares

Auto‑Tune first started out as a TDM plug‑in (reviewed in SOS August '97), but subsequently...

Antares' latest plug-in can, it is claimed, alter a recording made with one model of mic so that it sounds as if it was done with another. But can you really make any budget mic sound like a high-end classic? Paul White investigates.

Paul White explains the basics of Auto-Tune and demonstrates 7 tips to help you create a variety of alternative textured soundscapes.

The original Antares ATR1 made a huge impact when it was first released, making possible natural‑sounding, real‑...

Hugh Robjohns checks out the new hardware incarnation of Antares' award-winning microphone-modelling software.

Antares' EFX version of Auto‑Tune was designed specifically to create less-than-natural vocal effects, and this 'plus'...

Antares' Auto‑Tune needs no introduction, and the company have now launched a super‑simple version that is more...

Auto-Tune keeps evolving, and the latest version incorporates both its best pitch-correction ever and a nod to its past.

It was the best-selling single of last year, and signalled a radical change of musical direction for Cher — complete with bizarre vocal processing. Yet, surprisingly, it was produced in a small studio in West London. Sue Sillitoe relates the astonishing tale of 'Believe'.