SOUND ON SOUND
You don't necessarily need the most powerful and up-to-date PC to create sophisticated MIDI and audio compositions. Martin Walker looks a little more deeply into what can be squeezed out of a complete range of machines, from modest to monster.
If you've got a recent soundcard supporting SoundFonts, such as the Soundblaster Live! or Value models, or the Emu APS, then...
The increased headroom and dynamic range afforded by 24-bit recording can be a boon, but until now its cost has put it out of reach of many. However, this looks set to change with the latest cross-platform release from Gadget Labs. Martin Walker looks and listens to the Wave/8:24 on his PC.
Many pepople seem frustrated with the 'free' software that is bundled with CD-R drives, so this month Martin Walker looks at a new low-cost CD-burning package, as well as reading a few meters.
Originally designed by SOS author Craig Anderton as a DIY hardware circuit, Spectral Design have now turned this into a software plug‑in. Unlike most other distortion effects, it splits the signal into four frequency bands and distorts each one individually.
Terratec's EWS64 XL caused a stir in the world of soundcards last your by offering a built-in 64-note polyphonic sampler. The new XXL now adds the internal organs of Waldorf's classic Microwave XT synth. Martin Walker decides whether these impressive parts make a convincing whole.
Looking into the future is never easy, especially where Operating Systems are concerned. Martin Walker ponders the possibilities.
Plug‑in pack: Mac/PC, all formats; TDM and Mac stand‑alone versions also available
Reviewed: PC...
TC Native Bundle 2.0 can now be seen as roughly equivalent in scope to Waves' Native Power Pack, or as a high‑end version of their own Native Essentials bundle...
Most people expect that a digital input or output will simply provide a bit-for-bit copy of the original signal. After all, bits are bits, aren't they? Martin Walker sheds some light on the various things that can go wrong.