
Studio One: Notation & Tablature Options
Studio One now includes some powerful notation and tablature options. Let's explore...

Studio One now includes some powerful notation and tablature options. Let's explore...

Howard Jones burst onto the scene in the early 1980s with a collection of era‑defining synth‑pop hits such as ‘What Is Love’, ‘No One Is To Blame’ and ‘Things Can Only Get Better’. Asked to select a favourite sound, he circles back to the first of these.

Wrestling with low‑mid mud? Cubase’s dynamic EQ can help.

Digital Performer has everything you need to work with audio for picture.
These audio files accompany the Power Up Your MIDI Arpeggiators article in SOS December 2023 edition.

Using only the tools built into your DAW, you can turn your arpeggiations into complex, engaging sequences.

Canadian Davey Badiuk is a composer, producer, mixing engineer and remixer, known for his unique ability to modernise organic music.

We explain why aliasing in plug‑ins isn’t always a problem — and why oversampling isn’t always the solution.

Ricky Damian is that rarest of things: a young engineer trained in all‑analogue recording. His experience stood him in good stead with Jorja Smith.

Our exclusive four-part video documentary series goes behind the scenes of one of the most detailed orchestral sample libraries ever made. In Chapter One, we meet the team from Spitfire Audio and Abbey Road Studios as they develop the epic concept for Abbey Road Orchestra…

‘Set Fire To The Rain’ was Adele’s third consecutive US number one, confirming her status as a superstar. In our exclusive video feature, producer Fraser T Smith breaks down the creative process.

Turn the ratio up, and a compressor becomes a limiter. Go even further and you enter the world of reverse dynamics — and unique sonic effects.

Studio One, from version 6 on, is now a surprisingly powerful video editor!

Mixing gets so much easier when your processing chains are configured to deliver the same results in response to the same levels!

David Wrench’s goal as mix engineer was to make Blur sound like themselves!

Stay on top of your content with DP's powerful Clippings.

With the new Sketch window and app, Pro Tools enters the world of clip launching.

Record producer/mix engineer Luke Smith details how he got his favourite sound on ‘Spanish Sahara’ from Foals...
Universal Audio’s Sphere microphone modelling system is well known for emulating classic mics — but that’s not all it does.

Embrace the power of Cubase’s Project Logical Editor, and you can become a workflow ninja!