Mike Senior delves into some of the most common troubleshooting tasks when dealing with acoustic guitar recordings at mixdown, and shares his own favourite processing fixes.
Lady Gaga's latest album was two years in the making, and marked a return to her electronic roots.
Time-alignment can help solve problems in multi-mic recordings — but it can also introduce new problems!
Studio One's Music Editor is more than just a piano roll.
Any synth can be coaxed into producing vintage-sounding patches...
Multiband compressors offer unique advantages over their broadband cousins — but they also present some perilous pitfalls for the unwary.
Pro Tools 2020.5 brings some handy options for project sharing, plus enhanced EUCON integration.
Hit the ground running with our guide to Akai's celebrated Music Production Centre.
Your DAW makes it easy to fake old-school doubling techniques, and gives you much more control than producers had in days gone by. We show you how...
Cubase Pro's Spectral Comparison EQ makes it easy to figure out why things sound too different or too similar!
Max For Live's versatile MIDI CC devices open up a world of creative control.
We continue our exploration of DP's MasterWorks plug‑in suite.
In this exclusive SOS Video Feature, we talk to jungle producer Pete Cannon about how and why he’s still using Akais, Ataris and Amigas.
Mike Senior explores the subject of Haas delays at mixdown, explaining how they work, how to get the best out of them, and how to avoid the most common traps associated with them.
Making the most of Studio One's templates.
We look at what you can do with Reason's new MIDI Out Rack device.
Headphone mixing is becoming a core skill for everyone. We asked some of the biggest names in engineering how they get the best results.
Pro Tools' new Folder tracks make a neat alternative to Groups and VCAs.
Elevate the clarity of your mixes with our indispensable guide.
Here's how to create a convincing double-tracking effect in Logic Pro X.