SOUND ON SOUND
These three audio examples demonstrate the techniques described in the Cubase workshop article in SOS January 2026.
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We talk you through the ins and outs of re‑amping in Studio One.
Master Faders offer much more than just level control!
Add impact and attitude to your drum parts with Cubase’s stock dynamics plug‑ins!
We dive deeper into the theory and practice of hybrid arrays, and consider the benefits of using more than one array.
Songwriter, producer and musician Carter Lang has built a stellar career on collaboration and a love of obscure hardware.
Asked to nominate a favourite sound from his vast back catalogue, Jeff zeroes in on the drum recording for Shania Twain’s 1997 hit ‘Man! I Feel Like A Woman’.
Got an idea for a plug‑in, but no idea how to code? Read on...
With Flashback Capture, you need never lose a magical take again!
If there was a monitoring system that was reliable, affordable and sounded the same everywhere, would you use it for mixing? Well, there is — and you probably already own it.
With an understanding of spaced and coincident stereo arrays, we can exploit the characteristics of both — using either established arrays, or by creating our own!
With our nu‑disco tune mixed and mastered, we turn our attention to distributing and promoting it...
To perfect Olivia Dean’s intimate, personal sound world, the artist and producer/songwriter Zach Nahome decided to step outside the studio.
Studio One has everything you need to produce professional‑sounding podcasts.
William Basinski’s archival recording project gained a life of its own when the tapes began to deteriorate, and then took on a new significance in the wake of the September 11th attacks.
Alchemy’s granular engine is a sonic playground with infinite possibilities!
Guitarist Steve Rothery is the longest‑serving member of prog‑rockers Marillion, and here he details how he got his favourite guitar sound on Marillion’s ‘The Great Escape’.
These audio files accompany the Pop Vocal Mixing article in SOS November 2025. The song featured in these examples is 'April Blues', by the artist Moni Blue.
These three audio files provide examples based on the techniques described in the Cubase workshop article in SOS November 2025.