Cubase 15: The Pattern Sequencer | Audio Examples
There are three audio files containing examples that demonstrate various elements of the new Melodic mode within the Pattern Editor as described within the main workshop article.
There are three audio files containing examples that demonstrate various elements of the new Melodic mode within the Pattern Editor as described within the main workshop article.

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As Ableton expand their Link protocol to audio, is the zero‑configuration wireless studio finally here?

SOSFA has all you need to create Stranger Things‑style cues!

Logic contains everything you need to start mixing in Dolby Atmos.

Cubase’s new synth sounds and Pattern Sequencer features are great on their own — but together they’re even better!

Asked to select a favourite sound from his back catalogue, he opts for the guitar tone from the Fray’s ‘Never Say Never’.

Would your mic techniques change if you knew your location recordings were destined for a Dolby Atmos release? That’s a question our technical editor recently had to ponder...

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Producer and songwriter D’Mile helped develop Bruno Mars’ nostalgic soul sound — and Anthony Masino’s work at retro studio Penrose Recorders played a key role in capturing it.

Eddie Bazil breaks down the different types of EQ, explains their most common uses in mixing and production, and demonstrates how they shape and enhance sound with practical audio examples.
These audio files demonstrate techniques discussed in the Cubase workshop article in SOS magazine’s May 2026 issue.
These audio examples accompany the May 2026 Sound On Sound feature about recording outdoors.
These audio examples accompany the Send / Return Compression workshop in SOS May 2026.

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When the hills are alive with the sound of music, it’s up to us to record it.

American producer and recording/ mix engineer Mark Needham has worked with many famous pop and rock artists, and when asked to dissect a notable sound from his remarkable catalogue, Mark details his work on The Killers’ ‘Mr Brightside’.

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Pro Tools’ time‑stretching options enjoy both corrective and creative uses.