SOUND ON SOUND
Logic Pro contains a multitude of tools to help you analyse and transcribe music.
Get the most out of your multi‑output instruments in Studio One.
Experienced American producer Bill Schnee picks the 1978 track 'Never Even Thought' from Colin Blunstone as the sound he's most proud of creating in the studio.
Pro Tools’ MIDI capabilities continue to evolve.
Explore the world of bass synth sound design with Cubase’s Retrologue and HALion Sonic.
Aviram Barath’s musical direction inspired rapper Loyle Carner to work with a live band for his hit album hopefully!
To illustrate the differences, strengths and weaknesses of different stereo mic arrangements I have made a series of demonstration recordings.
These audio examples accompany our August 2025 workshop on Cubase 14: Play Probability & Velocity Variance.
Multi‑award‑winning English music producer and engineer David Tickle explains how he created the mysterious and ethereal sound that weaves in and out of U2’s ‘All I Want Is You’.
Reason Studios have reintroduced their classic beat‑slicing software — and it’s free!
Cubase’s Play Probability and Velocity Variance tools can bring your MIDI patterns to life.
We explore Studio One’s latest instrument, Sub Zero Bass.
There is nothing ordinary about the success of Alex Warren’s breakthrough hit — or its signature sound, created by producer Adam Yaron.
Whether it’s existing releases or new tunes, SOS For Artists can help you get your music out... well, pretty much everywhere!
If your beats are static, your melodies predictable, or if you’re just plain out of ideas, perhaps it’s time to introduce some random elements?
Could the humble mouse be the only Pro Tools controller you need?
Our second instalment draws on the work of Alan Blumlein, to explain how we can audition and evaluate different stereo‑miking techniques.
Paul White explores the creative potential of using 'found' sounds, demonstrating how items found within your surroundings can be sampled, manipulated and transformed.
Trinnov Audio, established in 2003, is a French company renowned for its pioneering work in audio processing and room-acoustics correction technologies across a number of different domains, including professional studios, commercial cinemas, high-end hi-fi and home theatre systems.
In the first part of a new short series about stereo recording techniques, we start by exploring the most important tools of all: your brain and your ears!