SOUND ON SOUND
To illustrate the differences, strengths and weaknesses of different stereo mic arrangements I have made a series of demonstration recordings.
These audio examples accompany our August 2025 workshop on Cubase 14: Play Probability & Velocity Variance.
There is nothing ordinary about the success of Alex Warren’s breakthrough hit — or its signature sound, created by producer Adam Yaron.
Whether it’s existing releases or new tunes, SOS For Artists can help you get your music out... well, pretty much everywhere!
If your beats are static, your melodies predictable, or if you’re just plain out of ideas, perhaps it’s time to introduce some random elements?
Could the humble mouse be the only Pro Tools controller you need?
Our second instalment draws on the work of Alan Blumlein, to explain how we can audition and evaluate different stereo‑miking techniques.
Multi‑award‑winning English music producer and engineer David Tickle explains how he created the mysterious and ethereal sound that weaves in and out of U2’s ‘All I Want Is You’.
Reason Studios have reintroduced their classic beat‑slicing software — and it’s free!
Cubase’s Play Probability and Velocity Variance tools can bring your MIDI patterns to life.
We explore Studio One’s latest instrument, Sub Zero Bass.
Paul White explores the creative potential of using 'found' sounds, demonstrating how items found within your surroundings can be sampled, manipulated and transformed.
Trinnov Audio, established in 2003, is a French company renowned for its pioneering work in audio processing and room-acoustics correction technologies across a number of different domains, including professional studios, commercial cinemas, high-end hi-fi and home theatre systems.
We explore the new Cinematic Lights virtual instrument, introduced with Studio One Pro v7.1 back in January.
In the first part of a new short series about stereo recording techniques, we start by exploring the most important tools of all: your brain and your ears!
Playlists are the key to managing takes, comping, and much more! Let's explore...
Lincoln Barrett’s musical journey started in the box, but 20 years on, he’s reinventing his trademark liquid funk sound with vintage hardware.
Live’s Drum Rack remains an extremely creative feature, with depths that may be hidden...
We explore the key features and benefits of the exciting new SOS For Artists ecosystem for music creation and distribution.
Power co‑produced some of Robbie Williams’ biggest‑selling albums and, asked to select a favourite sound, Power recalls how he got the layered drum sound on Williams’ 1998 single ‘No Regrets’.