SOUND ON SOUND
FKA Twigs has worked with many big‑name producers, but it was experimental electronic artist Koreless who guided the making of her new hit album Eusexua.
Thinking of taking your Eurorack on the road? We offer some expert advice...
Any reverb plug‑in can be used to create the perception of depth — and your mixes will be more engaging and three‑dimensional as a result.
Impact XT is now right at home in Studio One's MIDI editor.
Transform your MIDI with Live 12’s new tools.
There are many great virtual drum instruments around, but sometimes it’s best to create your own!
Stefan Boman is the house mix engineer at Atlantis Studios in Stockholm, Sweden. Asked to choose a favourite sound from a session he’s worked on, he nominates ‘No Song Unheard’ by the Hellacopters.
The new album by Noah Lennox, aka Panda Bear, features familiar collaborators pulling in a very different musical direction.
In this episode, Eddie Bazil looks at ways of enhancing a variety of individual tracks and full mixes using plug-ins that are designed to achieve the retro warmth and cohesion of tapes and valves.
The SOS team paid a visit to James and Mark of PresentDayProduction to get their take on how Trinnov calibration has been working for them in their studios.
Audio examples to accompany March 2025's Cubase workshop.
Get your vocal levels just right in Pro Tools with these handy tips.
Cubase’s Drum Machine features some good kits, but also lets you create original sounds.
Working with Kacey Musgraves catapulted Ian Fitchuk from respected producer to one of Nashville’s busiest songwriters.
Well known as guitarist with glam art‑rock pioneers Roxy Music, Phil Manzanera has also etched out parallel careers as solo artist, session musician and producer.
Take your music off‑grid with Studio One’s powerful tempo tools.
What is Hybrid Drumming? And why do you need it?
These four audio files demonstrate various elements of the Cubase VST Amp Rack that are described in the SOS February 2025 Cubase workshop.
Pro Tools has many features aimed at post‑production. Could they help you with music production too?
Are buzzes, hums and hisses ruining your guitar recordings? Here’s how to keep the noise to a minimum.