SOUND ON SOUND
Live 12’s new Tunings system is your invitation to explore alternative tunings and microtones.
With the introduction of CV Instrument, you can control your modular rig from Studio One!
Steve Hackett rose to fame as guitarist with prog‑rock legends Genesis, but his sonic calling card is a guitar tone he created in 1979 on his album Spectral Mornings.
We go beyond the headlines to explore Logic 11’s less obvious new features.
Virtuoso pianist Rogét Chahayed has found a unique niche as a classically trained hip‑hop producer.
Paul White looks at some creative ways that you can manipulate the standard plug-ins found in your DAW.
Although he grew up aspiring to be a hip‑hop producer, Zach Crowell has made it big by leaning into his Nashville roots.
We put Studio One’s new clip launcher through its paces.
Granular effects can be hugely powerful, but the chances of finding a preset that does exactly what you want are slim. So why not learn how to tame and tweak them?
Track Stacks are your shortcut to quick and easy stem bouncing.
If time is tight for a full‑band session, you won’t be able to perfect all aspects of a drum recording. But if you prioritise, you can still ensure you get decent results every time.
English producer and four‑time Grammy Award‑winning mixer Robert Orton, aka The Hitmixer, has worked with million‑selling artists including Lady Gaga, Enrique Iglesias, Backstreet Boys, Sting, Lana Del Rey and Robin Thicke.
Access to other apps in Pro Tools is a game changer.
These audio files accompany our December 2024 Logic Pro Stem Splitter workshop.
We revisit some old tape masters with the help of Logic’s new Stem Splitter.
We get re-acquainted with some of Pro Tools’ stock plug‑ins.
Introduced in Live 12, Roar is much more than just a saturation plug‑in...
The biggest hit of the decade so far took Shaboozey and his team half an hour to write — and weeks to perfect.
Canadian producer / engineer Garth ‘GGGarth’ Richardson has worked with some of music’s biggest acts, and from his vast discography he discusses how he created an iconic bass tone.
All mix engineers need technical skills — but what’s most important is our ability to bring out the emotion in the music.