SOUND ON SOUND
Add a human touch to your MIDI parts with Logic’s MIDI Transform.
Pro Tools has upped its MIDI game. What can the new MIDI plug‑ins do?
Famed English producer and engineer John Leckie gives details about one of his most influential works, the mini‑album 25 O’Clock, a pastiche of ’60s psychedelia.
The foundation of a good, engaging mix is a strong arrangement. But how far can you go to improve things at the mixing stage?
Cubase’s VocalChain can polish and add character to your vocals in an instant.
Join the Spitfire Audio team and engineer Simon Rhodes on a deep dive into one of the most epic orchestral projects of all time...
In the first of a two-part series, Eddie Bazil explains how some simple adjustments in your DAW will help you achieve more bounce in your drum beats, by adding syncopation, swing and dynamism.
Audio examples to accompany April 2024's Cubase 13 workshop.
Do you find yourself reverting to the same familiar chords? Technology can help...
Who says you can’t create beats in Pro Tools? We show you how...
Making your own pedals can be a lot cheaper than buying them — and with many of the self‑build kits now available, you won’t even need a deep knowledge of electronics.
Guts has cemented Olivia Rodrigo’s status as a major star. Her chief songwriting and production partner is Daniel Nigro.
Paul Hardcastle’s iconic ‘19’ owes more than a little to serendipity and the limitations of the Emulator II sampler...
For the Dune movies, Hans Zimmer and his team of extraordinary musicians didn’t just create a score. They created an entire world.
Quick round-up of What's New in the Modular world, plus External Instruments tips.
Get better results from Iconica Sketch’s strings using the Cubase Logical Editor.
The Show Page has evolved in the last few years, and makes it easy to take your productions on the road. Let's revisit what it offers...
David Bottrill’s vast credit list includes Peter Gabriel, Smashing Pumpkins and Tool to Muse, Silverchair, Rush and many others. When asked to pick a favourite sound from that catalogue, he chose the drone that underpins ‘Passion’ by Peter Gabriel.
These four audio examples accompany the SOS March 2024 workshop about Cubase’s new Vocoder plug-in.
Now we know how to get immersive in Studio One, let’s add some delay and reverb to our Atmos mixes!