
Cubase 13: Creating Lo-Fi Effects
Want to get the lo‑fi vibe using Cubase’s stock plug‑ins? Here’s how.

Want to get the lo‑fi vibe using Cubase’s stock plug‑ins? Here’s how.

We explore a clever set of donationware scripts that transform the popular Reaper DAW software into a source‑destination editing powerhouse.

Since forming in 2002, Irish instrumental outfit God Is An Astronaut have developed a unique sound that incorporates ambient electronica, post‑rock guitars, cinematic soundscapes and captivating melodies.

Organising your Pro Tools sessions will help you work faster and more efficiently.

We’ve updated our set of free audio test files!

Mid‑Sides processing is your gateway to creative manipulation of stereo sources.

Daniel Moyler is a London‑based mixing and recording engineer who when asked to dissect a favourite sound, focuses on the drum sound from ‘Crowbar’ by Frank Carter and the Rattlesnakes.

Why choose between rock and pop — when, like Andrew Watt, you can excel at both?

Create a complete musical cue from just a single sample with HALion Sonic’s spectral synth engine.

New in Live 12, Ableton’s Meld synthesizer is far more complex than you might think.

Can an old container really be turned into a viable music production space?
These audio examples accompany our October 2024 issue workshop.

Pedals are not just for guitars. Here Paul White connects his extensive pedal collection to a modular synth system, effectively using the pedals as additional modules and suggesting some creative ways of setting them up.

We cut through the jargon to explain how software instruments achieve their incredible realism.

Updates to the Pro Tools Session file format have made the Import Session Data window even more powerful.

DP’s enhanced instrument tracks offer some powerful new options.

Taking the decision to follow his instincts has elevated Julian Bunetta to the top rank of contemporary songwriters and producers.

We talk you through the basics of side‑chaining in Studio One.

Respected British record producer and engineer David Lord chooses XTC’s ‘All You Pretty Girls’ as a favourite sound from the many he’s recorded.

Logic’s virtual drummer now has a full band to play with! We find out what it can do...