Article section list

Simon Millward continues his mission throughout the furthest reaches of the universe of Cubase, boldly sequencing where no man has sequenced before...

Martin Russ explains how he discovered the curious truth behind Apple hardware supply, and explains the meaning of 'Spanning'...

Paul White examines the role of the keyboard submixer in the MIDI/tape recording studio.

Do your recordings sound like they've been made through a white noise generator? Well, don't just blame the vintage synth or battered effects unit — it could be your gain structure that's at fault. Paul White offers some tips on getting it right...

Simon Millward continues his fundamental guide to Steinberg's flagship MIDI recording software package.

Brian Heywood hails the arrival of Windows 95, and passes on some hints for getting digital sound out of your AWE32 soundcard.

Paul Overaa brings you the latest Amiga news, discovers how to improve his built-in speaker sound quality, and discovers the meaning of giftware...

What are MIDI messages and what do they do?

Ofir Gal jumps into Vic Lennard's shoes to discuss the state of the Atari today...

Paul Farrer looks at ways of using Proteus 2 samples to create a convincing orchestral arrangement.

Paul White's absolute beginners' guide to MIDI continues with a look at MIDI's role in sequencing.

Vic Lennard bids a fond adieu with 10 top tips for Atari owners.

Wilf Smarties explores the never-ending world of sample loops and how best to use them in your music.

This month, Paul Overaa devotes the whole of his column to a roundup of the current Amiga sequencing scene.

Simon Millward kicks off a new series designed to give beginners a solid grounding in the use of Steinberg's flagship software package.

Martin Russ serves up the latest Apple news — plus QuickTime & Mac Audio Capabilities table — past and present.

Brian Heywood looks back at the BMF shows, and considers the various ways of making music on your PC.

In the first of a 2-Part series, Paul Farrer offers some hints and tips for improving the sounds you can coax from Emu's popular Proteus range.

With MIDI playing an ever greater part in music production, there's a danger that the art of using microphones will be lost. Paul White describes the valuable techniques of miking acoustic instruments — something he recommends every studio user should learn.

Paul White kicks off a new series for newcomers to MIDI.