SOUND ON SOUND
We report on a new release of Reason that fixes some bugs but also ups the system requirements for running the software, and examine the problem of achieving 'exclusive' drum assignments in the NNXT super sample-player.
If you've never made a Refill from your Reason creations, now may be the time to give it a go. It's an easy process that can offer various benefits.
M-Audio have been producing impressive, inexpensive controller keyboards for some time, and have recently moved seriously into Firewire interfacing. The new Ozonic seeks to combine both capabilities in one product — and all for less money than you'd think...
On the menu: Tiger tussles with Reload, Propellerhead's Akai sample-management software, the excellent free Electromechanical Refill gets an update, and quick tips.
German company Yellow Tools started off as sample library developers, but like many others, they've moved into the world of virtual instruments with the lovingly crafted MVI range. We check out all three...
The new Combinator device can solve Reason problems you didn't even realise you had. We elaborate, as well as offering news and tips...
Providing six audio inputs and eight outputs for £350, with the bonus of high-quality mic preamps, Presonus's Firebox sounds almost too good to be true. Is it?
The humble sample CD-ROM is dying out, being replaced by sample collections with a virtual-instrument front-end. Wizoo's first forays into the field combine Latin and Arabic percussion loops with their own Flexgroove virtual-instrument engine...
With some clever programming, an Italian software house have created a program that claims to add an audio input to Reason. We take a sneak peek, as well as bringing you essential Reason news and quick tips.
This month: new Refills and tweaking techniques for Reason v3, plus the usual haul of time-saving tips.