Every major sequencer manufacturer now sells software synths for use with their recording applications, but MOTU's MX4 had not been out long before an updated version was announced. We find out whether v2 was worth the wait...
We report on a new release of Reason that fixes some bugs but also ups the system requirements for running the software, and examine the problem of achieving 'exclusive' drum assignments in the NNXT super sample-player.
German company Yellow Tools started off as sample library developers, but like many others, they've moved into the world of virtual instruments with the lovingly crafted MVI range. We check out all three...
M-Audio have been producing impressive, inexpensive controller keyboards for some time, and have recently moved seriously into Firewire interfacing. The new Ozonic seeks to combine both capabilities in one product — and all for less money than you'd think...
On the menu: Tiger tussles with Reload, Propellerhead's Akai sample-management software, the excellent free Electromechanical Refill gets an update, and quick tips.
Providing six audio inputs and eight outputs for £350, with the bonus of high-quality mic preamps, Presonus's Firebox sounds almost too good to be true. Is it?
With some clever programming, an Italian software house have created a program that claims to add an audio input to Reason. We take a sneak peek, as well as bringing you essential Reason news and quick tips.
The humble sample CD-ROM is dying out, being replaced by sample collections with a virtual-instrument front-end. Wizoo's first forays into the field combine Latin and Arabic percussion loops with their own Flexgroove virtual-instrument engine...
Astonishingly, Reason is now over four years old! Version 3 adds performance-enhancing features and mastering facilities, losing only Mac OS 9 support on the way. We bring you the first UK review of the full release version.