SOUND ON SOUND
The latest incarnation of a well-established scoring package holds few surprises, but plenty of power for the asking price.
Mackie's Tracktion sequencer makes an ideal budget Rewire host for adding audio recording and plug-in capabilities to your Reason setup, as we explain...
We explore an advanced technique for creating 'instant' tracks using Propellerhead's Reason software.
Although they started off as rugged, assignable control surfaces aimed mainly at Pro Tools, CM Labs' Motormix moving-fader and Dashboard button/jog/shuttle controllers can interface with most digital audio workstations. We put them through their paces.
It's been a long wait, but the original slice-and-dice loop editing program has finally made it to Mac OS X. Is it still an essential tool a decade after its original launch?
The latest addition to Metric Halo's Mobile I/O range is, like the existing MIO 2882, now available with a powerful DSP option for running audio processing plug-ins.
A new Refill is reviewed and ways around some common Reason problems are offered.
SOS's 2003 Reader Survey told us that you want our help in getting the best from this popular package — and we're happy to oblige with a new monthly column.
Korg have redefined the workstation synth many times, and each time it has become harder to see how they could better their previous achievements. The Triton Extreme is a bold new colour, but does the rest of it measure up?
Rackmount studio samplers may be pretty much a relic of the past, at least in terms of manufacturers producing new examples, but it's not quite all software and computer RAM yet — not if instruments such as this new one from Korg are anything to go by.