SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Ribbon mics have long been associated with a subdued high-frequency response — but this classy example bucks the trend.
With remote control, USB audio interfacing and the sublime sonic performance for which Grace are known, the m108 doesn’t disappoint!
I want to teach myself to solder properly for some DIY audio electronics projects, and more mundane tasks like mending cables. Any advice would be greatly appreciated.
Many companies have offered rack-lighting products over the years, but this elegant British-made light employs super-bright LED strips rather than conventional bulbs.
I have heard somewhere that you should avoid having your tweeters centred vertically in the room — is there some truth in it?
Dolby Laboratories have been leading the development of surround-sound systems for four decades, but over the last year or so they have been piloting an intriguing surround system in a famous UK night-club...
A client recently sent me a mastered album for some additional EQ tweaks as he wasn’t completely happy with the balance when playing back via an iPhone on his car stereo...
The Konnektor promises mastering engineers the drag-and-drop simplicity and recall of plug-in remote control.
Can I use the headphone output (Output 9-10) on an RME Fireface 800 audio interface to feed a click track to an IEM (In-ear Monitor) transmitter for a drummer?
Down at the bottom of the garden, among the birds and the bees, we went to Alex Hutchings’ studio, to eliminate some unpleasant frequencies.