SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Technical Editor Hugh Robjohns: In last month’s SOS we printed a query derived from the SOS...
Operating rather like a subwoofer in reverse, this crafty device controls low frequencies but takes up far less space than conventional bass traps.
Combining characteristics from various classic equalisers, including the designer’s originals, the Swift isn’t quite like anything else.
This Kindle e-book is designed to help the reader develop unique custom digital filters that correct the frequency and timing responses of the reader’s loudspeakers within their specific listening environment.
Can you explain what is meant by ‘panning law’ in the context of a DAW’s setup?
In the quest for ever more elegant ways to integrate analogue gear with DAW software, Polish manufacturers Wes Audio are leading the pack...
Even at high sample rates, standard PCM audio ‘smears’ important timing information. A new digital format, MQA, promises vastly improved time-domain accuracy — without the huge file sizes.
My outboard equalisers have no level or peak indicator, what would be the correct way to output the signal from my DAW (Logic) via an RME Fireface 800 audio interface?
If you’re looking for a mic that excels at speech intelligibility, Audio-Technica’s new broadcast model may be just what you’re after.
The latest preamp from Canadian company Sonic Farm is a classy and versatile affair, thanks to its wide range of tonal options.