SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
This month, we tame a strange space, record a sitar and dispense a little wisdom on EQ, compression and reverb, as we sort out Dominik Johnsons home studio.
As well as a distinctive design, these huge nearfield monitors offer a frequency and time-domain performance that compares with the best.
Recording in a live environment demands simplicity and stability, and this intriguing new product from SADiE co-founder Joe Bull is designed to offer both.
Summing might not sound very rock & roll, but Thermionic Culture have added a little attitude of their own to this impressive and unique design.
Audient's latest analogue console has turned the DAW-controller concept on its head, taking advantage of mainstream DAW software to provide fader automation and recall.
Benchmark strive to make their products exactly that: something against which the competition should be judged. So how does their new preamp measure up?
Focusrite expand the Saffire range with their new Virtual Reference Monitoring technology.
Something that seems to interest and intrigue almost everyone involved with audio recording at some point is the topic of...
This month, we tame a reflective room, tweak vocal compressors and slay the Blue Screen Of Death.