SOUND ON SOUND
We all love a good spring reverb, but this one offers a much wider range of sounds than most.
Want your mixes and masters to have power and impact on streaming services? Then you might want to pay more attention to density and dynamics...
Some people say to adjust the gain until the sound sits at ‑6dBFS, and others say ‑18dBFS. And then others say it doesn’t really matter at all any more, as long as you’re not clipping at the audio interface. Is there a right answer?
AudioScape’s new Pultec‑inspired rack is a no‑compromise stereo take on the classic passive equaliser.
Drawmer’s latest processor packs a lot of punch into a 1U rack!
It’s billed as a ‘mastering’ compressor, but VCME 3 is way more versatile than that.
Already leading the way when it comes to plug‑in remote control of analogue hardware, Wes are now bringing their expertise to bear on a wider range of processors.
How does Becos' latest addition to the CompIQ range measure up? We put it to the test!
With two separate compressors on board and various ways to deploy them, RND’s new OptoFET is an intriguing prospect.
Inspired by Studer’s classic 169 console, this handmade EQ is just as suited to mixing work as it is to tracking and mastering.