SOUND ON SOUND
At last, the channel compressor of Neve’s flagship 88R console is available in 500‑series form!
This all‑analogue affair takes modulation well beyond the bread‑and‑butter chorus and flanger effects.
I’ve been using Reaper on Windows for years, but I need a new computer and I’m thinking of getting a Mac. Will Reaper on Mac be able to open my files, or do I need to tweak anything?
Inspired by Studer’s classic 169 console, this handmade EQ is just as suited to mixing work as it is to tracking and mastering.
I’ve had this a few of times now! I assume I need to do a better job of cleaning away all that detritus, but is there a ‘right’ way to do it?
With switchable input impedance, dual compression voicings and a semi‑parametric EQ on board, the Pro Channel III certainly offers tonal versatility. Could it be your next ‘front end’?
I’m about to flex my credit card and get a Tascam Studio Bridge, but I need an SD card for it. What should I be buying to get the best performance without wasting money?
I have a tower PC that I had built specially for music production a few years ago. It used to work fine, but now I have to boot it twice before I can get Windows running.
Zoom’s smallest LiveTrak ever is a mobile production powerhouse.
The LANG 312L, made by Heritage Audio, is a transfomer‑balanced mic preamp whose design is broadly rooted in old API one, but which, like all the best ‘homages’, brings something extra to the party.