SOUND ON SOUND
When processing a stereo drum bus, does it matter what slope I set a low shelf EQ too? I have both 6 and 12 dB/octave options available.
Brimming over with useful and interesting features, is the Dynalux the last compressor you’ll ever need?
Wes have brought a modern touch to bear on the most vintage of analogue compressor types — and it’s about far more than their celebrated system for plug‑in remote control.
We all love a good spring reverb, but this one offers a much wider range of sounds than most.
Want your mixes and masters to have power and impact on streaming services? Then you might want to pay more attention to density and dynamics...
Some people say to adjust the gain until the sound sits at ‑6dBFS, and others say ‑18dBFS. And then others say it doesn’t really matter at all any more, as long as you’re not clipping at the audio interface. Is there a right answer?
AudioScape’s new Pultec‑inspired rack is a no‑compromise stereo take on the classic passive equaliser.
Drawmer’s latest processor packs a lot of punch into a 1U rack!
How does Becos' latest addition to the CompIQ range measure up? We put it to the test!
With two separate compressors on board and various ways to deploy them, RND’s new OptoFET is an intriguing prospect.