SOUND ON SOUND
I’ve had this a few of times now! I assume I need to do a better job of cleaning away all that detritus, but is there a ‘right’ way to do it?
With switchable input impedance, dual compression voicings and a semi‑parametric EQ on board, the Pro Channel III certainly offers tonal versatility. Could it be your next ‘front end’?
I’m about to flex my credit card and get a Tascam Studio Bridge, but I need an SD card for it. What should I be buying to get the best performance without wasting money?
I have a tower PC that I had built specially for music production a few years ago. It used to work fine, but now I have to boot it twice before I can get Windows running.
Zoom’s smallest LiveTrak ever is a mobile production powerhouse.
The LANG 312L, made by Heritage Audio, is a transfomer‑balanced mic preamp whose design is broadly rooted in old API one, but which, like all the best ‘homages’, brings something extra to the party.
I have a CAD Equitek mic that I bought second hand, and I love it. I hadn’t realised until I downloaded the manual that it also needs internal batteries to work properly! The manual says I should put rechargeable NiCad batteries in there...
With ARA2 compatibility, this clever software slots right into your DAW workflow and promises to take much of the pain and time out of getting your vocals mix-ready.
It may come in the form of a stompbox, but there’s studio‑quality processing inside — and more than enough control for serious mixing.
Need to rebalance a stereo drum loop? Too much bleed on your close mics? This pair of plug‑ins could be just the ticket...