SOUND ON SOUND
Have Wes Audio achieved the perfect union of analogue processing and digital control?
I need a patchbay for my outboard but don’t really understand what normalling and half‑normalling are — how do I know what kind of setup I need?
Tascam’s new recording mixer is the most flexible Model‑series console yet.
Inspired by an early parametric design, this module offers more control than most 500‑series EQs.
How can curating a playlist of reference tracks keep a sense of wonder alive in a creative process?
Can I somehow record individual tracks into my DAW using the UA Volt 1, or should I mix on the Tascam?
With 18 inputs and bags of headroom, this new MixDream aims to keep high‑quality analogue summing simple.
“We had always planned for Carnaby HE2 to be more than just two Carnaby 500s in a box,” say Cranborne. But how much more?
This 1972 dual‑channel mic, line and instrument preamplifier puts two identical channels of what appear to be the same preamp design as in the 1977 into a 2U 19‑inch rackmount case.
Ever wanted to blend the characteristics of two different sounds? Morph Pro makes that easy.