SOUND ON SOUND
This affordable range of digital guitar and bass effects pedals offers good, dependable results — and there are a few hidden gems as well. Read on...
With Cubase 4.1, Steinberg overhauled the Sample Editor, creating a very powerful new tool for real-time pitch and time manipulation.
Manipulating the frequency spectrum is one of the most important skills in recording and mixing. We explain the different types of EQ you can use in your mix and share some tips on how to get the best from them.
• Schertler DYN-G Acoustic Instrument Pickup • Boss DD7 Digital Delay Pedal
If you want to group tracks in Cubase, Group channels aren't always the best option. We explore what you can and can't do with the Link Channels function.
Cubase's new routing options enable you to export multiple audio tracks in one go: we take you step by step through the process.
The latest incarnation of Drumagog allows you to augment a real acoustic drum performance with the sonic palette of BFD.
This classy stomp box is much more than a guitar effect, and it is equally impressive on stage and in the studio.
Cubase 4.1 brings a wealth of new features: we explore what you can do with the new side-chaining function.
The challenge: to remix 10 Depeche Mode albums in surround — while recreating the signature sounds created by the band and some of the worlds greatest producers. As Mute Records Head Engineer Kevin Paul explains, it was never going to be easy!