SOUND ON SOUND
The first edition of Loudspeakers was published in 2007 but now, with the much revised and expanded second edition, we have reason to give it the formal SOS review treatment...
In the LS3, Graham Audio have sought to recreate a classic BBC monitor but without the 'classic' price tag.
There’s no shortage of homages to classic microphones and processors but, until now, the monitor market has resisted the notion. Enter Avantone’s take on the iconic Yamaha NS‑10.
The baby of Unity’s rock-themed monitors might be small, but its low-frequency performance is seriously impressive.
Sonarworks software has been widely lauded for its ability to correct the sound of headphones. Can it do the same for monitors?
Why do so many monitor manufacturers persevere with reflex-loaded active monitors?
Focal’s newest Shape-series speaker boasts a host of unusual design features — which combine to make an unusually good monitor!
Following a recent nearfield monitor review of mine in SOS — a product, it’s true to say, that I didn’t find entirely...
This debut speaker from new UK company Kerr Acoustic combines a number of unusual design elements — to impressive effect!
Whether it’s classic NS-10s, battered old Auratones or something more esoteric, passive speakers require a power amp — here’s how to choose the right one.