SOUND ON SOUND
Genelec's latest monitor is a flexible beast, designed for the large multi-speaker setups that are needed in VR and immersive audio. But does this versatility come at the expense of its usefulness for conventional music mixing?
The first edition of Loudspeakers was published in 2007 but now, with the much revised and expanded second edition, we have reason to give it the formal SOS review treatment...
In the LS3, Graham Audio have sought to recreate a classic BBC monitor but without the 'classic' price tag.
There’s no shortage of homages to classic microphones and processors but, until now, the monitor market has resisted the notion. Enter Avantone’s take on the iconic Yamaha NS‑10.
The baby of Unity’s rock-themed monitors might be small, but its low-frequency performance is seriously impressive.
Why do so many monitor manufacturers persevere with reflex-loaded active monitors?
Sonarworks software has been widely lauded for its ability to correct the sound of headphones. Can it do the same for monitors?
Focal’s newest Shape-series speaker boasts a host of unusual design features — which combine to make an unusually good monitor!
Following a recent nearfield monitor review of mine in SOS — a product, it’s true to say, that I didn’t find entirely...
This debut speaker from new UK company Kerr Acoustic combines a number of unusual design elements — to impressive effect!