SOUND ON SOUND
Despite the obvious attractions of portable recording systems based around laptop computers, high-quality compatible audio hardware is scarce. That looks set to change, however, now that Echo Audio have adapted their popular Mona and Layla 24 interfaces for laptop use.
The latest technological advances in reverb design have yielded expensive hardware units that can 'sample' the sound of real rooms. Now Audio Ease's Altiverb brings the same convolving technology to the Mac — at a fraction of the cost.
Performer Notes turns its attention to DP3's MIDI automation features. Plus all the latest MOTU-related news and tips.
Performer Notes continues its detailed look at some of DP3's new features. This month, there's more on mix and plug-in automation, creative aux buss routing tips, and the mysterious new Audio Bundles window is unveiled...
The latest and greatest incarnation of MOTU's flagship Mac sequencer adds full surround mixing support among many other new features.
DP3 is here - and there's a number of fundamental changes to the way the program looks and works. This month, we examine the new tool bar and graphical editing options and consider how to get the most out of your plug-in effects...
This month, more on DP plug-ins with side-chains, plus tips on improving audio timing, using Mix mode, and news of a compact USB hardware controller for use with DP.
This month, Digital Performer's useful but little-known Clipping window falls under the Performer Notes spotlight. Plus tips on where to find top VST freeware plug-ins for use with DP, and advice on setting up side-chain access to MOTU plug-ins.
More invaluable MOTU-related user tips, including effective mix automation and the use of grouped controls, as well as customised Mixing Board layout editing, plus loop editing and crossfading.
MOTU's good-sounding, competitively priced audio hardware has won them a lot of friends in the project-studio and professional arenas. The latest addition to their range is a 12-channel interface that offers 96kHz, 24-bit recording. Robin Bigwood tests the 1296.