SOUND ON SOUND
I've been thinking about using the DAT backup/restore function to back up my Akai 3200XL sample library...
The Evolver began as a mono desktop unit, then became polyphonic, and now there's a polyphonic keyboard version. It's almost as if Dave Smith's latest synth is steadily evolving back into his earlier Prophet 5... We check it out.
I have several phasing and flanging plug-ins, and the same effects on my Korg Triton. While not identical, the two effects...
I am trying to re-create the sound of old string synths like the ARP Solina or Elka Rhapsody on my Novation K-Station but I...
We bring our series on rediscovering the the art of sampling to a close, with a look into the future.
I keep reading about different types of synthesis like 'wavetable', 'S&S' and 'vector' but I don't know what they are...
We continue exploring what your sampler's synth engine can do to liven up bland self-sampled sounds, and explain the concepts of layering and multitimbrality.
Nearly all modern samplers have powerful synth engines concealed inside them — and sometimes they're so well hidden that their users are unaware of their existence. But then why would you want a synth in your sampler? Let's find out...
I have just bought an old spring reverb unit called the Great British Spring off eBay. It sounds great but if I feed any drums through it, it makes a weird 'ping' sound...
I've read some conflicting opinions about the Mellotron. Surely if tape loops are used, the sound would sustain indefinitely. Can you put the record straight?