SOUND ON SOUND
Tom Doyle has written for Sound On Sound since 2004 and is also a regular contributor to MOJO.
As an author, he’s written a series of books, including Man On The Run: Paul McCartney In The 1970s (Polygon/Ballantine, 2013). As a musician, he’s one half of White Label, a writing/production duo whose credits include Paul Weller.
Twitter @Tom_Doyle_
Foals' first foray into self-production yielded not one but two albums — but making them wasn't easy!
After a record label bidding war the success of the Cranberries' first single was vital. Fans of the Smiths, they called in producer Stephen Street...
Catherine Marks trained in one of the world's most demanding professions — then gave it all up to make tea in a studio...
Cypress Hill’s crossover classic launched the group into the mainstream — and without sampling a single horse...
The Lemon Twigs not only draw their musical inspiration from classic power-pop; they’ve also learned to record using authentic ’70s gear and techniques.
Talent and hard work have taken Marta Salogni from dive bars in Italy to working with A-list mixing and production clients in the UK in less than a decade.
Begun as an experiment, ‘Sweet Dreams’ launched Eurythmics to international stardom and is still filling dancefloors to this day.
The playful, genre-defying sound of Young Fathers reflects an equally unorthodox approach to studio recording.
It may be famous for its difficult birth, but Loveless was a technical triumph. My Bloody Valentine’s Kevin Shields tells us the story behind their breathtakingly original album.
Go-to producer for Taylor Swift, Lorde and St. Vincent, Jack Antonoff has the rare ability to translate wild experimentation into record sales.