Logic

This month we look at how to fix vocal tuning and timing, as well as showing how the recent Logic v4.7 upgrade improves working with Emagic's EXS24 virtual sampler.

We look at the creative potential of Logic's Touch Tracks feature and the corrective potential of the audio fade-in, as well as showing you what 'solo safe' is and why you need it.

This month, we see how best to comp performances within Logic, and we also show you a neat trick for finding new guitar fingerings.

This month, we look at using folders and screensets, as well as showing the Score window needn't be a no-go area for guitarists.

Logic's Transform window is often under-used, due to its apparent complexity. John Walden explains all.

Paul White looks at how to customise Multi Instruments for a faster and more creative sequencing experience.

In the first of our new regular software columns based on the leading sequencer packages, Paul White gets Logic Notes off to a flying start with some invaluable hints and tips.

Computer-based MIDI + Audio sequencers have been popular for several years now, but some people have never been entirely happy using a digital rodent to control their main recording hardware. John Walden looks for ways out of the mouse trap by using key commands in Emagic's Logic.

Although MIDI + Audio sequencing packages on both Mac and PC are becoming ever more powerful, 'the timing was tighter on my Atari' is still a common complaint. Paul White looks at ways of tightening it up, with additional PC information by Martin Walker.

Paul White and Paul Joyner explain how to import samples directly to your Mac from an audio CD with Logic Audio — a technique which can be adapted for use with most popular MIDI + Audio sequencers.