Keyboards

There are few brands so widely loved as Moog, and as the company changes hands many will be asking what the future holds. Well, we’re about to find out...

Now in its sixth iteration, Clavia’s stage piano remains the one to beat.

MPE has made electronic instruments more expressive than ever, and there are options out there to suit almost everyone.

If you’re looking for a controller keyboard that’s both compact and affordable, Arturia have got just the thing...

Updated for a new generation, can the microKORG2 live up to the huge success of its predecessor?

Is your synth collection spiralling out of control? These multi‑keyboard stands could help you keep your studio in order!

If any synthesizer can be considered to be greater than the sum of its parts, it’s Tom Oberheim’s enduring classic, the Two Voice.

Is Arturia’s new KeyLab 88 MkIII the best 88‑note controller keyboard in its class?

How does Roland’s V‑Stage fare against the other big red stage keyboards in town?

The ET‑5 may have its roots deep in electronic musical history, but it’s very much a modern instrument.

Piano lessons from seven years of age and pipe organ fascination from the age of nine began a passion for keyboards. Now, aged 82, I love my keyboards.

Novation’s updated Launchkey range introduces improved creative features and better DAW integration.

With polyphonic aftertouch, MPE and MIDI 2.0, Korg’s Keystage has a lot to offer.

Melbourne continue to push the (motorised) envelope with their latest polysynth.