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Melodyne 5 unveiled
Celemony's acclaimed pitch-manipulation software Melodyne has been given a major update.
Published 26/5/20
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Celemony Melodyne 5
Pitch & Time Manipulation Software
Although it's now been around for two decades, Melodyne is still the stuff of science fiction. In our exclusive review, we explore version 5's new superpowers.
Published July 2020
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Sounding Off: Losing Our 'Human' Sound?
Joanna Eden
Are we losing touch with what ‘human’ sounds like?
Published May 2018
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Celemony Melodyne 2
Pitch & Time Correction Software [Mac/PC]
Version 2 of Celemony's revolutionary pitch- and tempo-shifting software includes new features, better sequencer integration and an improved interface.
Published January 2004
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Celemony Melodyne 4 | Media
Pitch & Sound Editing Software For Mac OS & Windows
Audio files to accompany the article.
Published February 2016
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Celemony Melodyne 4
Pitch & Sound Editing Software For Mac OS & Windows
Musical pitch has always been putty in the hands of Melodyne. Now, revolutionary features in version 4 promise to make tempo and timbre equally fluid.
Published February 2016
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Melodyne 4 launched with Tempo Editor & more
It’s been a good few years since the last major version of Celemony’s ingenious Melodyne software, but...
Published 14/1/16
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Celemony Melodyne 3
Pitch & Time Correction Software [Mac/PC]
Melodyne has always worked miracles with the pitch and timing of monophonic audio, but Celemony's new version 3 turns its attention to full polyphonic mixes.
Published April 2006
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Auto-Tune vs Melodyne
Antares Auto-Tune 5 & Celemony Melodyne Plug-in Pitch-correction Processors
Auto-Tune has been the industry standard pitch-correction tool for many years, and version 5 introduces many new features, but it faces its strongest competition yet from the new plug-in version of Celemony's Melodyne. So which one should you buy?
Published March 2007
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Celemony Melodyne DNA Editor
Pitch & Time Processing Software [Mac / PC]
In its new Direct Note Access, the latest version of Celemony's Melodyne introduces what might just be the most hotly anticipated piece of music technology ever. Will mixing and remixing ever be the same again?
Published December 2009
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