SOUND ON SOUND
The new arrival to the Series A family is a fuzz that's based on a small selection of pedals built by Strymon’s CEO Gregg Stock over a decade ago.
More than ‘just’ a distortion pedal, this all‑analogue overdrive boasts real amp‑like character.
Strymon's digital NightSky pedal is now available as a DAW plug-in.
Boasting some impressive technical specifications and versatile routing options, Strymon’s latest active DI boxes promise to maintain an instrument’s tone while being flexible enough to fit into just about any setup.
Said to be unlike any other reverb plug-in, the plug-in version of the Strymon NightSky delivers everything that its hardware sibling has to offer, and comes packed with features that will be welcomed by keen sound designers.
Inspired by a little-known valve device from the 1960s, the Fairfax is said to take an altogether different approach to overdrive, and marks the introduction of a new Series a line-up that contrasts the company’s DSP-based offerings.
This pedalboard‑friendly DI interface has been designed specifically for interfacing amp modellers and electronic instruments with PA and recording systems.
SuperKar+ can produce up to 32 voices and has a bi‑timbral split to offer a Chord voice and a separate polyphonic Solo voice all within the one 12HP module.
Shifting their attention back to guitar pedals, Strymon have delivered an authentic recreation of Tel-Ray's unique-sounding delay units.
As its name suggests, SuperKar+ uses Karplus-Strong synthesis to create a range of plucked and bowed string sounds, as well as struck or blown pipes and an assortment of other sounds that range from percussive textures to melodies and chords.
