
Yamaha 01X
Yamaha's 01X is a digital mixer, hardware controller, audio and MIDI interface that promises an unprecedented level of integration with PC/Mac computer-based DAWs. But can this one silver box really do it all?

Yamaha's 01X is a digital mixer, hardware controller, audio and MIDI interface that promises an unprecedented level of integration with PC/Mac computer-based DAWs. But can this one silver box really do it all?

Technology has threatened to put drummers and guitarists out of work, but until now, singers have been safe. Is Yamaha's Vocaloid going to change all that?

Recently, I bought a digital recorder and have been re-recording some of my old compositions from scratch in digital but, to my great disappointment, I am finding that my mixes are sounding harsh and cluttered. I thought digital recording would give me more clarity in the mix because of its higher fidelity. Where am I going wrong and what can I do about it?

There are lots of XG-format synthesizers in home studios, but their General MIDI heritage discourages many owners from using them. However, there's life in your XG module yet if you're willing to explore its hidden depths.

Layering voices is one of the best ways to maximise the potential of your XG sound module, so here are a variety of ingenious ways you can use this technique — you can even turn your synth into a high-spec step sequencer!

In this final instalment of our series of XG programming tips, we take a look at how the advanced modulation parameters can bring your layered sounds to life.

I'm looking to buy a moving-fader control surface for my DAW and I'm wondering if it's worth paying a bit extra for one with touch-sensitive faders. How important a feature is this?

Yamaha's list of mLAN products continues to grow, and their rackmounting i88X offers high-quality mic preamps, analogue, digital and MIDI I/O in a 1U rack unit.

In their latest headphone design, Yamaha have sought to capture the essence of their classic NS10 monitors. Have they achieved it?

Celebrities from around the world were keen to contribute to a fund-raising single for victims of the Asian tsunami, and converting all of this goodwill into a finished record required innovative use of broadband Internet to collect together their performances.