Mixing / Production

Adam Powell now directs videos for some of the UK's top talent — but it all started when he made a skate video with a borrowed VHS camera.

Whether it's getting rid of the audio you don't want or improving the audio you do want, skilled editing can be the key to making your multitrack project sound polished.

Taylor Swift has become country music's biggest mainstream star, thanks in part to a stellar production team. Producer Nathan Chapman and mixer Justin Niebank lift the lid on Swift's latest hit album, Speak Now.

Neil Young has made his share of experimental albums, but his latest might be the most extreme, thanks to Daniel Lanois' revolutionary approach to live dub mixing.

Taking on a new genre is a great way to test your mixing skills, as we found out when we took on this goth track by The Hiram Key...

These audio files accompany the Mix Rescue article that featured in SOS February 2011.

I've got a recording of an acoustic guitar that I'm loath to re‑record, but there are several sections in which string buzz is...

Our Mix Rescue expert dips his toe in the Studio SOS waters this month, as he visit's a reader's studio, sorts out his monitoring, and takes him through strategies to improve his mixing.

Today's multitrack software packages give us endless flexibility to manipulate the audio we've recorded, but the possibilities can be confusing to begin with. We introduce the tools of the audio editor's trade...