Performance

We look at what you need to know to program and play to a Click track.

A successful musician and producer who happens to be blind, Jason Dasent is helping manufacturers to implement text‑to‑speech and other vital accessibility features.

The B.Beat Pro 16 is much more than just a dedicated hardware backing track player...

Thinking of taking your Eurorack on the road? We offer some expert advice...

Krust, also known as K or DJ Krust, chats about his early involvement in the Bristol music scene in the late '80s to early '90s, the development of the Drum & Bass sound, and setting up the Full Cycle and Dope Dragon labels with Roni Size.

In this first part of an occasional series exploring modular synthesis and live performance, Will Stokes talks to experimental electronic musician Scanner about the choice of his favourite modules he'll showcase in his closing performance.

DJ, Artist and Producer NikNak chats about her route into immersive performances and turntablism.

Immersive audio is a powerful way of presenting live music — and it’s becoming more and more accessible to independent artists.

Graham Massey talks about his early days with the formation of 808 State and improvising with electronic instruments, through to current collaborations and favourite creative tools.

Robert Henke, electronic visual music artist, software developer and co-founder of Ableton discusses the artist/engineer overlap and how software needs to be accessible to encourage and not hinder the creative process.

The state of flow is a term used in different practices ranging from sports to the creative arts, but what does the state...

Imogen Heap and Chagall are among the artists pioneering new ways of interacting with synths and effects, courtesy of the Glover software.