Recorders

The latest in Akai's line of standalone hard disk recorders, which also includes 8- and 16-track models, sticks with the 4-track format of its predecessor, the DR4d, but adds 250 'virtual' tracks to increase the flexibility it can offer. David Mellor checks out this low-cost entry into the world of disk recording.

With the advent of digital portastudios, manufacturers are busily revamping their analogue machines and packaging them full of more features. Andy Davies checks out Tascam's latest cherry...

Using MD Data disks to deliver superb quality digital sound in a familiar package, does Yamaha's digital 4-track finally sound the death knell for the humble cassette multitracker? Paul Ward spins the wheel of fortune...

Tascam revolutionised home recording with their cassette-based Portastudio, but haven't yet offered a budget digital version to compete with the Fostex DMT8/D80 and Roland VS880. Now their 4-track MiniDisc-based 564 is almost ready. Paul White gets a sneak preview...

Can Tascam's lean, mean DA38 offer musicians more functionality than the portlier DA88 without compromising on quality — and give the Alesis ADAT XT a run for its money? Paul White investigates.

Paul White takes Tascam's new dual cassette deck into the studio for practical trials.

The battle for control of the affordable digital multitracker market has intensified in 1996. Paul White puts Fostex's latest weapon, the rackmounting D80, to the test.

Though hard disk recording offers possibilities far beyond those achievable with magnetic tape, it often sports a vastly more complex user interface, which can alienate the tape-based faithful. But Akai's new 16-track hard disk recorder seeks to meet the tape heads halfway, David Mellor plays ambassador...

Paul White ponders the benefits of a DAT recorder with a 40kHz audio bandwidth.

Hot on the heels of Fostex's DMT8 Roland's new VS880 offers another take on the affordable digital multitracker concept. But as Paul White discovers, beneath the apparent similarities lie significant differences...

Have Fostex really stolen Roland's thunder with their digital multitrack? Mystic Paul White thinks Roland might have a trick up their sleeve.

Paul White gets out and about with the Tascam DAP1 and discovers the joys of collecting sounds outside the studio.

ADAT is dead, long live the ADAT XT. Paul White reports on the rebirth of a classic.

Having led the way in the '80s sampling revolution, Emu have turned their attention to the '90s discipline of hard disk recording with the Darwin digital recorder. Paul Ward checks out the new species on the block...

Paul White visits the future of home recording, where tape heads never need cleaning, cassettes never jam and mistakes can be undone at the touch of a button.

Keen to get into PC hard disk recording? Samplitude Studio, the top of an impressive range of programs from German manufacturers SEKD, is one of the cheaper options available — but it's certainly not short on features. Panicos Georghiades and Gabriel Jacobs are mightily impressed...

This new French program must be one of the cheapest ways of integrating digital audio and MIDI sequencing. Panicos Georghiades and Gabriel Jacobs put it through its paces.

Paul White provides a sneak preview of the world's first truly portable 8-track digital multitracker for musicians.

Paul White tries out a deceptively small mastering recorder that's ideal for location recording and sample gathering.

Out of the wilds of Germany comes an interesting attempt at addressing the key aspects of hard disk recording on the PC for the DAT-owning musician. Brian Heywood reports.

Tascam's new DAT machine combines professional features with an affordable price. Paul White puts it to the test.