Recently I had to record a Japanese taiko drum ensemble, but I got a fair bit of distortion even though my recording levels never reached 0dBFS. Why was I getting this distortion/compression?
David Mellor introduces us to Gain Staging in a brand new series of podcasts. In this first episode he explains the correct use of terminology and gives his three golden rules of Gain Staging.
Ricky Damian is a Grammy Award-winning Engineer/Producer who’s worked with artists such as Mark Ronson, Lady Gaga, Sam Smith, Adele, Dua Lipa, Yebba, Jorja Smith and Sampha.
Daniel Moyler is a freelance mix engineer who was awarded Engineer Of The Year at the MPG 2020 Awards and won a 2021 Grammy for his engineering work on Dua Lipa's album Future Nostalgia.
Sam Inglis talks to Francine Perry, artist, producer and mix engineer, about her career so far and being nominated in the Rising Star category for her work with Beth Orton, Erasure and HAAi while based at Mute Studio.
Cecil (Adam) Bartlett is a London-based producer who talks to Sam Inglis about his career so far and being nominated in this year's Breakthrough Producer Of The Year category for his work on Here Is Everything by The Big Moon.
Manon Grandjean is a freelance mix engineer who has previously won three Music Producers Guild Awards. This year she's been nominated again for Mix Engineer Of The Year 2023, this time for her work with artists Flo, Fyfe & Iskra Strings and Milk & Bone.
Recording Engineer Of The Year and Album Of The Year Nominee
Mikko Gordon is a Grammy nominated mixing engineer and record producer based in London. This year he's nominated by the Music Producers Guild for Recording Engineer Of The Year and Album Of The Year along with Nigel Godrich for The Smile: A Light for Attracting Attention.
Catherine Anne Davies, also known as The Anchoress, is a songwriter, multi-instrumentalist and producer. Sam Inglis talks to her about being nominated for Self Producing Artist in the Music Producers Guild Awards 2023.
Paul White explains how to get the best out of Amp Simulation software, from achieving a good guitar input signal, setting up effective monitoring for encouraging the best performance and tips on obtaining the desired end-effect.
These gadgets might not be the most glamorous devices, but at some point in your recording adventures you’ll probably find you need each and every one.