Recording

Japan keyboard player Richard Barbieri tells the story of their most haunting hit.

English producer and mixer Chris Sheldon, when asked to pick a favourite sound that he’s worked on, nominates the drum sound he got with rock band Oceansize.

In the first episode of a new column, we asked Steve Albini to choose a favourite sound from his huge back catalogue and explain how it was created.

Learning to capture Indian music in all its rich variety has been a life’s work for Sai Shravanam.

Across 17 years and eight albums, Field Music have become one of Britain’s best-loved guitar bands. They’ve also evolved a...

Two veterans of the online session world share their top tips for success.

‘Walk Like An Egyptian’ was a huge hit for the Bangles, but it all started with a demo mix‑up and some very unusual percussion.

Binaural recordings are an easy and effective way to capture immersive audio.

A good engineer can make bands sound better than they are. In this video, Sound On Sound's Editor In Chief Sam Inglis explains how to turn musical lead into gold...

For anyone with an interest in recording classical performances of any form — whether they’re an amateur, a professional or an academic — this is absolutely essential reading.

For their latest album, You Me At Six threw out the rulebook and spent six weeks at a residential studio in Thailand. Producer Dan Austin was at the helm.

Few artists straddle the line between classical and electronic music with as much success as Anna Meredith. We talk to her about the creation of her recent Mercury‑nominated album.

Darude’s 1999 dance hit has taken on an extensive and often surprising life of its own.

I recently started capturing my vinyl collection to DSD and hi‑res PCM. The result sounds great but when I examine the audio file in iZotope RX 8 Elements I see a band of ultrasonic noise. Should I be worried about this?

I want to split the output from my Gretsch electric guitar, to feed both a Boss Acoustic Singer combo and a computer audio interface...

Recorded in 1970, Tea For The Tillerman cemented Cat Stevens’ place in rock history. Half a century later and under his latter‑day name Yusuf Islam, he’s teamed up with original producer Paul Samwell‑Smith to re‑record it from scratch.

With the right guidance, iZotope's RX can remove problem sounds that would otherwise ruin a mix.

The title track of Steely Dan's Aja is legendary for many reasons, including the spectacular work of Steve Gadd. Who, it turns out, almost didn't make the cut in the album's planned 'rotating list of drummers'...

We show how iZotope's popular restoration package can deliver cleaner audio for your music projects.

There are many ways to record an album — and former Pulp frontman Jarvis Cocker has tried them all...