SOUND ON SOUND
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Will Mowat made his name first as a sequencer expert and then as a writer with Soul II Soul. As a world music producer, his recent projects provide inspirational examples of how to combine performance with programming and overcome the limitations of a bare-bones budget.
Classical violin player Andrew Price is making his fortune with music that he deliberately didn't copyright. Here he explains to Paul White how he manages it, and offers some tips on blending MIDI-generated music with real orchestral players.
The Mellotron has had a chequered history, from '60s 'must-have' to '80s has-been, but it's survived bankruptcy and technological progress, and now it's back, in a brand-new, reworked form. We relate the story of this classic instrument, and see how the new version compares to the old.
Imagine selling a million copies of your music in just over a week, with no video, no radio play and no touring. Impossible? Not if it's the soundtrack to one of the most successful computer games of all time...
Not many bands would set up banks of modular and analogue synths in Paddington station and play free for the delight of the weary commuters. node did — but then that's the kind of guys they are. Nigel Humberstone talks to half of the band about free-form composition, inspired mistakes, and the lack of sex appeal in electronic music.
TC have come up with a new twist on the analogue synth emulation theme by providing modular oscillator, filter and envelope blocks that can be combined with VST effects. Paul White tries a few variations.
Hugh Robjohns tests this fully-featured, dual path channel strip, with circuitry designed by the legendary Mr Rupert Neve.
You can mike up a string section in many different ways, but which one sounds best? We explain the theory behind the most popular mic techniques and then record several of them on a real string session so that you can let your ears decide.
What happens to the many talented musicians in the UK who never get a chance to be heard by a wider audience because the music they make isn't what major record companies want to sign? Discovering new talent and helping to bring it to the fore has always been the producer's dream. But now producer Floyd-Douglass is launching a new project to do just that...
In this month's Pro Tools workshop, we concentrate on the top and bottom of the frequency spectrum, looking at plug-ins that claim to enhance treble and bass. How do they work, how should you use them, and most importantly, which ones are the best?
A plug-in card for the Yamaha AW-series workstations that combines Waves-quality DSP effects with eight channels of ADAT optical I/O.
Catatonia's rise from indie obscurity to pop dominance seems unstoppable and, with the first single from their new album, they're even targetting Radio 2 listeners. Matt Bell talks to producer Tommy D about the track's transformation from Akai DPS12 demo to Top Ten hit.
This unusual new preamp from UA is designed to make life easier, both for the recordist and 'the talent'.
If you are attracted by the idea of Linux and open-source music software, but put off by the thought of installing it on your PC, there is another way: a bootable CD-ROM containing both the OS and all the software you need, ready to go.
In an age dominated by software and samples, Jerry Boys has found the perfect niche for his old-school engineering skills: as the first-call specialist in recording world music.
Ear training - learning to intuitively recognise note intervals, chords and progressions, and even absolute pitches - is something that many musicians could benefit from, although few actually attempt it. Richard Leon explains the skills involved, and rounds up some software which can help you improve in this area.
We review: Cimbalom **** • Jazz/World *** • Neo Soul **** • Vienna Concert Guitar *****
Have you ever longed for the sound and style of a Mellotron without the impracticality, unreliability and team of men required to move it? If so, you need yearn no more — thanks to the Memotron...
Korg have been at the forefront of analogue modelling technology, but the new MS2000 is their first instrument to mimic the style as well as the sound of their analogue classics, right down to its incorporation of a virtual patching system. Derek Johnson powers it up.
If you don't have a multitrack but you're keen to start experimenting with recording, good results can be achieved with just a couple of mics and a domestic cassette deck. Paul White shows you how to be a stereo MC...