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The keyboard instruments created by American manufacturer RMI may be deeply obscure now, but without them, '70s progressive rock could have a very different sonic signature.
Ask a dozen engineers how to make great vocal recordings and you'll get a dozen different answers — but there are some ground rules, as Hugh Robjohns explains.
Martin Walker grumbles about long-winded install routines, and guides you through a few ways to check your system files and Registry for problems.
The Maxi Sound 64 is a new Plug and Play full-duplex soundcard with some pretty tasty features, cooked up by French company Guillemot International. Martin Walker tucks in.
Roland's original Fantom workstation wasn't really much competition for Korg's Triton, so it was no shock to see it revamped last year as the hugely improved Fantom S. But surprisingly, Roland have done it again. What's new this time around?
If you're thinking of buying a PC soundcard specifically for HD recording, you'll find the market awash with models old and new. Martin Walker provides an overview of what's currently available.
Necessity is the mother of invention, they say, and that was certainly the case when Gregg Jackman decided to find a better way of recording string sections playing loud rock concerts. Hugh Robjohns talks to this inventive recording engineer.
Derek Johnson checks out two ST freebies that could help you to tame your synths..
There's already a decent range of products providing digital emulations of vintage guitar amps, but iZotope's Direct X plug-in goes a lot further, offering no fewer than seven processing modules, and is intended to model every kind of distortion you'll ever need.
Joemeek's new dual recording channel provides an innovative current-sensing preamp, optical compression and three-band equalisation, as well as the option to fit an onboard stereo A-D converter.
In the last year SOS has reviewed no less than 10 examples of the new breed of so-called 'Voice Channels', promising a one-box solution to high quality vocal recordings. Derek Johnson & Debbie Poyser present a brief guide to the models we've looked at, to help you decide which you should go for.
After a house move, SOS reader Russ Sowdon discovered a secret passage under his ground floor, and it led to a hidden barrel-vault cellar which he soon made into his musical den!
In the 1980s and early '90s, with Yamaha's help, Korg expanded dramatically, producing some of the first affordable digital recorders and physical-modelling instruments. But it was their world-class synths, such as the M1 and Wavestation, that made them the company they are today...
Christina Aguilera's debut single was a worldwide smash hit last year, thanks in no small measure to the distinctive work of producer and co‑writer David Frank. Mike Senior finds out how he did it.
While the fame and fortune of pop stars is frequently short-lived, session musicians can carve out a career lasting many years, making a living through sheer ability and professionalism. Big George Webley goes behind the scenes....
In the sequel to his article last month about being a session musician, Big George takes a look at what it takes to be a successful programmer.
Recording music can, and should be, serious fun, according to producer Tony Visconti.
Korg's Trinity workstation has, like their earlier instruments, become virtually an industry standard — but far from resting on their laurels, the company have upped the ante still further with the new Triton. Derek Johnson and Debbie Poyser provide an exclusive hands-on review.
Now that Korg's Legacy Collection is properly complete, we follow up last month's preview with the first instalment of our three-part in-depth review. This month, we focus on the Korg Wavestation plug-in...